Another image from my recent Yorkshire Dales trip. This was also taken on the first morning and is perhaps my favourite image from that day. I feel the quality of light is amazingly strong in this image. The light quality is often better in the morning than the evening as there is less dust in the atmosphere. This gives the light a sharp and clean feel. The heavy rain storms the night before also helped a lot. It’s this feeling of clean, sharp yet warm light that I find so captivating – the locations not bad either.
This is Twistleton Scar in the Yorkshire Dales and was photographed last weekend. I love the location and it’s not often I can get to it for dawn. I really need some time to perfect the processing of the image but I hope you like this early version.
In all my dashing around today I almost forgot to post my Friday image. I quite like the discipline of trying to create and post an image a week. I know others seem to manage one or more a day but I have too much else on to be able to make such a commitment. I think creating 1 image a week that I am happy to share is a good goal.
I shot this one almost 2 years ago on a trip to Norway. This was shot from the Hertigruten boat (I think it was the Troll Fjord). These provide a ferry service around the coast although it’s quite a bit more luxurious that this suggests. I think this was somewhere before we reached the Lofoten Islands. I came across the image whilst starting to clear out some of my many images and took a few minutes (about an hour really) to process it.
It was captured on a Panasonic GF1 with a Panasonic 45-200mm lens.
Not too long ago I related how I had been struggling with the small size of my Olympus OMD EM5 when using it on a tripod. My solution to this had been to buy the two part grip and also to use an L-bracket from Novoflex. The Novoflex bracket wasn’t required to solve the size issue but was the solution to another problem of how to shoot stitched panoramic images with the camera positioned vertically. If you didn’t read the original blog you can find it here.
What I didn’t say in the original article is that I had even considering buying a Nikon D800E together with some lenses. Not a decision I would take lightly, as I am after all the Lightweight Photographer. I therefore decided to try an extended period of working with the Olympus on a tripod. This weekend past I had my opportunity to do just that. Here is what I found.
Firstly I need to share my decision. I won’t be buying the Nikon or any other DSLR for that matter. The OMD EM5 was a joy to work with on tripod using my new setup. Despite the Nikon D800E being a wonderful camera, there are some aspects to the camera that make me think it’s a backward step.
The new found size of the Olympus with the grip attached made it perfect for tripod work. Not only that, I found it very easy to work with and the L-bracket was perfect for quickly shifting the camera to a vertical orientation. If you are interested in shooting panoramic images but don’t yet have a head, then I really recommend you get one of these
Finally, I want to reveal my new panoramic set up for single row shooting and stitching.
As you can see, this uses my Novoflex L-bracket attached by the Novoflex Q-Mount plate. The Q-mount has then been attached to a Macro focus rack which is used to move the camera for focussing in macro work. Instead, here it allows me to position the camera lens on the nodal point so that I can easily create a stitch.
The cost of this setup – Novoflex L-bracket £69, Q-Mount £49, Focus Rack £7.30 – yes less £8 from Amazon (here is the link). I will also reveal that I have an even cheaper option for an L-bracket which is only £20, but I am waiting for that to arrive before I get peoples hopes up.
So, does it work? Yes it does and is much easier to work with than my larger and heavier panoramic head. I was able to carry this set up around all day (10 miles on day 1 and 8 miles on day 2). The only difficulty I had is in finding the nodal point. I needed to have worked this out prior to venturing out but because the focus rack only arrived when I was leaving the house I couldn’t and needed to guess instead. Trial and error seems to suggest the Nodal point for the micro 43 lenses is pretty much at the front element but that might not always be true. Once I have some time I will work it out properly and can then use the scale on the bracket and rack to find it quickly in the field.
As for the image above, this comprises 7 vertical shots using the 14-45mm lens at 14mm. It also swings through about 120 degrees. When stitched it gives a 17” x 54” print at 300dpi. If I drop the resolution to 250dpi and resize the image slightly then I believe a 35” high panoramic will be possible even if you press your nose to the image.
The stitching aspect of this image was done using Photoshop CS5 and there was very little distortion. I now need to spend some time working with Hugin to see what is possible as I took quite a few sequences with ultra wide angle lenses, as well as having the camera angled down.
The OMD EM5 has superb image quality and this set up allows me to make the most of it.
I have just finished and uploaded an article on how to use the Soft Proofing features in Lightroom 4. You can download the article for free from my Lenscraft website by following this link to the Members Area. You will need to log in as a member to gain access but membership is free and you gain access to a lot of other articles and free information. Alternatively you could just wait until the article is publish on ePHOTOzine in the next few weeks.
I am and always have been a fan of panoramic photography. I’m not sure why but the format (usually somewhere between 2:1 and 3:1 ratio) really appeals to me and makes sense as the way I see the world. Unfortunately, to create good panoramic images you need additional equipment beyond just the digital camera and this tends to go against my lightweight ethos.
Typically to make a good panoramic I need a tripod, panoramic head and stitching software. Unless you are prepared to spend tens of thousands of pounds (or dollars) on a digital panoramic camera, panoramic images need to be shot as a sequence of overlapping images which are then stitched together in specialist software.
I should at this point mention that I am a real stickler for quality so if any aspect of my images is lacking (in my mind) I will not be satisfied with the finished panoramic. This means that I don’t like to handhold my camera when shooting image sequences and always try to mount my camera on a tripod. I would also like to use a panoramic head to avoid problems of parallax error where objects in the various images don’t align correctly, as the stitching software will either distort the images to make them align or leave “ghosting” traces of objects. I do have a panoramic head for my tripod but it’s so heavy and bulky that I seldom take it with me.
This combination of problems means that I need to rely on stitching software to do a good job of aligning and merging images. Until now I had been using either Photoshop or Panorama Factory to complete my stitching. Photoshop seems to do a reasonable job but feels a little clunky and doesn’t give me the fine tuning/image optimisation that I want. It also has a habit of distorting images when I don’t want it to and not aligning all the objects along a stitching seam correctly. It’s usually close but not quite good enough.
As I have never really felt completely satisfied I tried out and invested in Panorama factory. This does a nice job of aligning the elements of the image as well as offering lots of power, but really does need a panoramic head to work properly. It often leaves some areas which are not quite sharp e.g. where fine details such as grass didn’t align exactly between images. My solution to date has been to output the panoramic image as a layered Photoshop file. This allowed me to fine tune the blending to remove blurred areas by adjusting the masks in the layered file. This is time consuming and quite complex even when you know exactly what you are doing with Photoshop masks.
If I am totally honest with myself I shouldn’t have invested in Panorama Factory if I wasn’t prepared to use a panoramic head but I was swayed by the cost. You see, when I did my testing a few years back PTGui was really the best option given how I wanted to shoot but I was put off by the cost. PTGui is only a graphical front end for Panorama Tools (which is a freeware package) and I just wasn’t prepared to pay a hefty license fee for something built around the genius of another’s work. This was the wrong decision and I think I should have purchased PTGui.
As I have now decided to make panoramic work a major feature of my photography I have recently downloaded the trial version of PTGui and PTGui Pro once more. I have to admit that I am very happy with the ease of using the software which can be highly automated saving me time and effort. This sits well with my lightweight philosophy. The only problem; I am still reluctant to pay the license cost as I would need the Pro license.
That’s when I came across Hugin which is also a graphical front end for PTGui. It feels remarkably similar to PTGui in terms of operation and it appears to be just as capable with very similar features to the Pro version of PTGui. The image above was created from 4 images captured on a Panasonic GX1 which was tripod mounted. I tried the stitching in Photoshop and Panorama Tools but I could see problems. PTGui did a great job but so did Hugin with an almost identical result even down to how it determined the stitching – not surprising given they both have the same stitching engine.
Now you might be thinking that I am about to repeat my past mistake of not paying for the best tool because of the cost. I don’t however know at this stage which is the best tool. And, Hugin is freeware so there is no cost other than in my time to learn and experiment with the package. I might still decide to invest in PTGui but so far Hugin is doing a great job and meeting all my requirements. If you are interested in shooting and stitching panoramic I think this is a great package that’s well worth investigating and it’s free.
I’m now back from a trip to the US and thought I would restart blogging with some images from the trip.
The first area I visited was Death Valley and the photograph shown above was taken at Zabriskie Point in the valley. It’s a bit of an odd place to visit in terms of Landscape Photography as the clear sky tends to limit when and how you shoot. My own preferrence when shooting landscapes at sunset is to have plenty of broken cloud which will colour up with the low sun. Here however the sky is clear much of the time so you don’t get the colourful sky. You can however achieve rather dramatic side lighting as shown on the hills here. In case you are wondering, these hills are just mud and gravel but they are rock solid and painful if you happen to slip on them.
The image was captured using my Panasonic GX1 and 14-45mm lens which was tripod mounted. There was plenty of light around so it wasn’t necessary to tripod mount the camera but I didn’t want to take any chances. I also think tripod mounting works well in any light and ensures very sharp images.
More photographs will follow once I have had the opportunity to download and sort them.