It sounds simple, doesn’t it? If you want to use the Nik Collection in Lightroom, you right click and choose “Edit in” from the popup menu. You can then pick the Nik Collection plugin you want to use from the list. But life and Lightroom aren’t always quite this simple.
Have you tried to use Nik HDR Efex with this technique? By default, you can’t. It’s not in the list of available plugins. And what about all those new image files each time you launch the Nik Collection from Lightroom? How can you better manage those?
There’s a lot more to using the Nik Collection in Lightroom than is immediately obvious. That’s why I’ve published a free video tutorial explaining how to best use the Nik Collection in Lightroom. I even demonstrate how to add the missing HDR Efex plugin to the “Edit in” menu.
This is the first of a series of Nik Collection tutorials I’m intending to publish. I’m calling the series Bitesize Nik Tutorials, with each video being between 5 and 10 minutes (but don’t hold me to that). I already have 12 ideas to progress, but if you have any requests, please let me know. I will be publishing a new video on YouTube each week, usually on a Thursday. If you want to be sure not to miss any, you can subscribe to my YouTube channel.
I have been receiving a lot of emails asking me if I have looked at the new Nik Collection which DxO released last week. Yes, I have looked at it and purchased a copy.
In short, the new software is all about fixing bugs and problems. The interface is the same as before and there’s no new functionality. And now you’re probably wondering why I shelled out hard earned money for software that does just what it did before.
Before I went to Italy for a couple of weeks, I started experimenting with Luminar 2018 from Skylum. Now I’m back I have been looking at the software more and I’m even more impressed with the results I’m getting. Looking back to the earlier versions of Luminar this wasn’t the case, but they have improved the software significantly.
I now see myself working more with Luminar, On1 and Alien Skin in the future (as well as some Topaz tools). This is especially true now the future of Nik is uncertain once more, with DxO Labs in financial difficulties.
Anyway, I wanted to return to some images from the end of last year to see how they could be improved with Luminar. The one at the top of this post is an example of one that I initially passed over. After a little work in Luminar it seems to have an appeal and has retained a natural look.
I just love learning and working with new software.
Have a great weekend.
(This page contains some affiliate links. If you buy any of the software following these links, I earn a small commission but it doesn't cost you anything extra. This helps me continue publishing free photography resources.)
It’s great how a nuclear sunset can cheer me up. I’ve had a lot of problems thrown at me this week and been let down a couple of times. Then I decided to process this image and I was smiling again.
It’s one I shot a few weeks back and have been struggling to bring out the amazing colours I remember. But now I have an idea of how to do it properly. This was a quick trial for the blog and it has a couple of flaws. For example, the glow effect I used is too strong on the rocks, most obviously the one in the centre. It’s made the image look a little like HDR even though it’s not. I had intended to use it on the distant hills and sky, but my masking was a little shoddy.
I captured the image on the Fuji X-T2 and used a Kase Wolverine 3 stop Reverse Grad on the sky. That really is an amazing filter. Post processing was in On1 Photo RAW 2018, but I do need to make some further adjustments as well as be a little more careful.
The other news from this week is Adobe Lightroom Classic CC version 7.3 has been released. There are a few enhancements which frustratingly move some important sliders to new locations. There’s also a couple of changes that seem to be flagging future developments. If you want to know what’s happened I published a video to YouTube earlier.
I have been experimenting with DxO Photolab again. I really like the software but before I can commit to buying it, I need it to support the Fuji XTrans RAW file format. If I can’t process the Fuji X-T2 files, it’s only going to work for a fraction of the images I shoot.
Then I had an idea. What if I convert the RAW file to DNG first using Iridient XTransformer. I felt sure I had used a much earlier version of DxO to process RAW files.
Unfortunately, my excitement was short lived. DxO Photolabs couldn’t read the file.
So instead of writing about a great work around, I’m going to share an image shot with the Fuji X-T2 and converted in Lightroom. This has then had a little post processing with On1 Photo Effects to emphasise the shadows. The stars around the lights were enhanced very slightly using Topaz Star Effects.
I’m off to speak at Wilmslow Guild Photographic Society tonight. Fortunately, I managed to publish my latest video tutorial on YouTube before I must leave.
If you watched my previous tutorial about using the On1 Masking tools, this tutorial goes a step further. It demonstrates how impressive On1 can be when using these masking tools. It also demonstrates additional features that I didn’t cover previously.
A few days back I recorded a video to demonstrate how to soft proof a photo for printing, using Lightroom CC. Whilst making the video I noticed the Soft Proofing in Lightroom wasn’t working properly. Both my Mac and PC had the same problem and I couldn’t find the cause. In the end I recorded the video using Lightroom 5 which I still had installed, and which appeared to be working.
I’ve now investigated the problem further and the bug also appears to be affecting Adobe Illustrator as well. Fortunately, I have also found a solution. This very short video shows the problem as well as how to avoid it.
Also, here is the soft proofing video which I know some blog readers have been waiting for.