Pre-dawn at Mellon Udrigle, Scotland. Fuji X-T3, 16-55 Fuji Lens, ISO160, 20″ at f/11.0. Kase Wolverine 0.9 Soft Grad filter. Tripod mounted.
I said in my previous post that I had a few more images from
my recent Scotland trip. This shot is one of them. I took it at a location
called Mellon Udrigle which was around an hour drive from Ullapool in daylight.
That might not sound like much but when you want to be in position by 6:00am,
it makes for a long day. The drives also lengthened by the need to keep a look
out for deer which emerge from the side of the road at an alarming frequency.
Putting all these difficulties aside, this was an excellent location to visit. I took the shot around 20 minutes before sunrise when the sky was nicely coloured by the sun below the horizon and everything was a strong blue/pink. I used a 0.9 (3 stop) Kase Wolverine soft grad filter on the sky and a 16-55 Fuji lens on my Fuji X-T3. The shutter speed was 20” at ISO160 and f/11.0.
I think this demonstrates the need to start shooting before
the sun comes up. Once the sun came up the colours turned quickly to orange and
yellow and the contrast in the scene increased sharply.
I hope you like the image and have a great weekend.
Scottish Highlands, Lake Assynt. Fuji X-T3, 18-55, ISO80, 1/6″, f/14.0. Tripod and Kase 0.9 Soft Grad.
Gigapixel from Topaz is an image enlarger. The hype on the website says it uses machine learning to create more detailed enhancements. The website also shows lots of comparisons between Photoshop and Gigapixel. I was intrigued but at the same time very sceptical of the claims, so I decided to try it out on some of my images. You can see one of these in the video below which I just published on my YouTube Channel.
If you decide to try Gigapixel (and I strongly recommend you try it before buying), please use the link on this page. It’s an affiliate link which helps me cover the costs of running the Lenscraft website, this blog and producing YouTube videos, but it doesn’t cost you any more.
Friday Image No.219
This week’s image is another from my recent trip to the Highlands of Scotland. If you subscribe to the Light and Landscape free magazine (it really is excellent) you may already have seen this in my interview.
The image is a great example of matching the content to the
conditions. The conditions at the time were surprisingly calm and the loch
which was usually very choppy became like glass. There was also a thick blue
haze in the air which tended to fade the distant hills. This allowed me to
throw more emphasis onto the island and its reflection.
I captured the image using a Fuji X-T3 camera and a Fuji 18-55 kit lens. I mounted the camera on a tripod, and I set the ISO to 80 and aperture to f/14.0. This was to slow the shutter to 1/6” so that the surface of the loche was smoothed a little and the reflection became more broken by the ripples. I tried other speeds, but they didn’t work as well as this. A Kase 0.9 Soft ND grad was used over the sky to help balance the exposure.
Iridient X-Transformer was used to convert the RAW file to
the DNG format before processing with Adobe Lightroom. The colour image was
then processed to black and white using Nik Silver Efex Pro.
Lenscraft Newsletter
For members of my Lenscraft website, the latest newsletter goes out on the 4th May. It’s also published on the Lenscraft Newsletter page on the 4th May.
I hope you like the Friday image and have a great weekend.
Looking towards Ullapool in the Scottish Highlands. Three frames Fuji X-T3, Fuji 55-200 lens at 100mm. ISO160, 2.5″ at f/10.0. Tripod mounted with Kase 3 stop soft ND Grad filter.
I don’t have a great deal to share this week other than a recent image. The week’s flown by and I haven’t even posted a video on Youtube. Instead, I’ve been concentrating on developing my new in-depth Luminosity Masking course. I do though want to share this photograph that I shot from my recent Scottish Highlands trip.
The reason this image is important is because it’s an
excellent lesson in how to shoot landscape photography. You see landscape
photography is less about equipment and composition than most people think. The
important things (assuming you can take a decent image) are being able to plan,
understand the local conditions/changing light and make decisions based on
this.
The evening I captured this photograph, we were about an hour
drive from this location. We had been in position on a beach, waiting for a
sunset. The weather forecast was positive and for a while the cloud cover
looked like we were on for a stunning display. But then as sunset came closer
the cloud started to thicken and the sun became lost. At this point we realised
there was only a slim chance of a sunset remaining.
The decision to make was, do we wait it out on the beach in
the hope of a sunset or head back and hope to catch the blue hour light nearer
to Ullapool.
Given everything we knew about the location, the excellent
blue hour light in recent days and the time it would take to drive back, we
opted to leave. Fortunately, everything went to plan, and I was able to shoot
this three-image stitched panoramic looking towards Ullapool. It’s exactly as I
had envisaged it and I love the soft pastel colours and smoke rolling across
the mountains.
So, was there a sunset at the beach? I have no idea, but I’m
happy with the shot I captured.
I hope you like the image and have a great weekend.
Sunrise in Assynt, Scotland. Fuji X-T3, Samyang 12mm lens, 1/15″ at f/11.0 and ISO160. Kase 0.9 ND Soft Grad filter. Tripod mounted.
If you were expecting a Friday image last week I apologise.
I was in the highlands of Scotland for a week, trying to cram in as much landscape
photography as possible. I had intended to make a post from there, but it
turned out the broadband wasn’t working in the accommodation we rented. There
also wasn’t any phone signal to speak of, although we found one location that
had a full 4G signal. Unfortunately, that was on a hill in the middle of
nowhere about an hour’s drive from the accommodation. It’s also where I shot the photo above.
That’s right, the only time I had a phone signal that
supported internet browsing was whilst taking this shot.
The location is not far from the town of Lochinver and is three frames from a Fuji X-T3 stitched in Lightroom. The lens was a Samyang 12mm and I used a 0.9 Kase Soft ND Graduated filter. The important part that’s often overlooked is that we had to get up at 4am in the morning to drive and walk to this location in time for sunrise.
Photoshop Content Aware Scale
If you would like to see another of my landscape photos from the trip, watch at my latest Youtube video.
The image I show is again a three-frame stitch from a Fuji X-T3 using the excellent Samyang 12mm lens (I love this lens). In the image the sun isn’t in the centre of the frame and the needs the left side extending to give it balance. The video shows how to do this firstly using the Photoshop Content Aware Scale command. It then compares the result with the regular Transform tool. I won’t say which was best here, but it was a surprise.
Know-How Transfer Easter Sale
I usually don’t mention software sales in the blog but I’m making an exception with Know-How Transfer. I have most of their products and find they save me time and are very good. They have a 20% sale on until midnight on the 25th April, just enter the code easter19 at the checkout.
And to be clear, I don’t have any connection with the company. I just like what they do.
View from the Roaches, Leek, Stafordshire. Fuji X-T3, Fuji 16-55mm lens, ISO200, 1/7″ at f/10, Kase 0.9 Soft ND Grad filter, Tripod.
In this week’s YouTube video, I shared my favourite Nik Collection filters for editing sunset photos. The image used in the video is the one above, which initially didn’t have obvious clouds and colour. The video demonstrates how you can improve most sunset photos using one of three filters in the Nik Collection.
The adjustments in the video are a little strong to ensure you
can see them, but the techniques and tips are solid. I also used all three
filters on the image which I wouldn’t recommend. One or two of the Nik
Collection filters are all you really need.
Luminar 3 Competition
If you haven’t seen yesterday’s post, do take a moment to read it. I’m giving away a Luminar 3 license which I bought by mistake. Yes, I can be that scatter-brained. The competition’s open until the 30th April 2019 when my wife will draw the winner at random.
Friday Image No. 217
Although I’ve used the Friday Image in my YouTube video, I did want to share it. I shot it last weekend whilst meeting up with a couple of friends that I used to work with. The weather on the day wasn’t quite as forecast. The initial fog quickly burned off (unfortunately) with a clear blue sky replacing it (not a cloudy one). Then, quite quickly, a strong blue haze developed with a few wispy high clouds. The high contrast conditions were terrible for landscape photography, but we persevered.
Towards the end of the day, we grew quite hopeful that we would have a nice sunset. Unfortunately, this wasn’t to be and most of the compositions we had available didn’t work well with the conditions. The only composition that looked slightly interesting was the one you see above. I reasoned that I would be able to improve the sunset and enhance the light on the lake, by editing the photo in Nik. It isn’t a wonderful shot, but it serves a good purpose.
I’m giving away a copy of the innovative software Luminar 3, from Skylum. I purchased a second license key in error when Luminar 3 launched but didn’t use it. I’ve been in contact with Skylum who confirm I can give the license key away, so that’s what I’m doing.
Free Prize Draw
This is a free prize draw with my wife drawing the winner at random, after the competition closes at the end of April 2019. To enter, all you need to do is provide me with a short review for any of my books that you’ve read, using the entry form I created on Google. Here’s the link if you want to enter.
Snow covered mountain on Rannoch Moor. Fuji X-T2 with Fuji 10-24mm lens. ISO200, F/11, 1/420″.
This week I feel the urge to highlight something to the
readers of this blog. If the image quality from your camera and/or lens is
disappointing you, don’t rush to change it. Instead, try a different RAW
converter.
I’m seeing more and more that there’s a large variation in
image quality produced by different RAW converters. You’re probably thinking
there’s nothing surprising there, except it’s not necessarily one converter
that comes out better than the others.
The Best RAW Converter Depends on Your Camera
As I investigate this further, what I’m finding is that a
RAW converter that excels with one camera can perform poorly with another. And
it’s not just the camera that seems to be a factor. Some RAW converters appear
to handle some lenses better than others.
This is important. The image quality of some RAW converters
with certain camera/lens combinations can fool you into thinking the lens or
camera is at fault. Don’t fall into this trap.
A couple of weeks back I demonstrated this using RAW files from a Sony RX10 and RX100. This week I published this video on YouTube. It shows the results from four RAW converters, processing two Fuji X-T2 RAW files.
There are two interesting points to come out of this:
The difference between the best and worst of the
four RAW converters tested is significant.
The best RAW converter changed with the RAW file.
Although I didn’t highlight it in the video, this difference is down to the lens
I used.
So, before you rush out to change that camera or lens that
doesn’t quite perform, try using a few different RAW converters. It could save
you a lot of money.
Friday Image No.215
I captured this week’s Friday Image in Scotland last week on the famous and Rannoch Moor. I was fortunate enough for my trip to coincide with a light snowfall. Had it been a heavy snowfall I doubt I would have thought I was lucky.
I used the Fuji X-T2 with a Fuji 10-24mm lens handheld. The
pool of water you see in the foreground was really very small. It looks a lot
larger than it is because I had the lens set to 11mm. To make the foreground
loom large, I crouched down low and in close to the pool. I was also careful to
avoid distorting the mountain with the super wide lens by keeping the back of
the camera vertical. Had I tilted it the image the mountain wouldn’t have
looked quite so impressive.
I didn’t use any filters for the capture as the camera could just about cope with the dynamic range of the scene. I processed the converted RAW file using a combination of Nik Color Efex, Nik Viveza and Luminosity Masks created with Lumenzia in Photoshop.
I hope you like the video & image and have a great
weekend.
