I know this view has been shot a million times but I still love it. There is something quite magical about standing on a beach, in front of a castle, waiting for the sun to come up. Judging by the huddle of photographers around me at the time, I’m not the only person who thinks this.
Hopefully I can shoot some more images with less well known scenes this weekend.
Have a great weekend.
I have owned my Sony RX10 for a little over three years, purchasing it as soon as they were launched. I had a couple of initial teething issues; the lettering around the front of the lens reflected onto my filters, the focus wasn’t quite right and the Stabilisation wasn’t very good. Other than that, it’s been a very useful camera and one that I enjoy using a lot.
In August last year I went to France to visit my daughter, taking the RX10 along. All appeared fine until I noticed on some of the images that they were a little soft along one edge. That’s when I checked the front of the lens and to my horror I could see traces of fungus inside. This was faint at the time and wasn’t sufficient to cause the softness, although that’s what triggered my noticing the problem.
On returning to the UK I made some enquiries with the “legendary” Sony Support (legendary for all the wrong reasons). I didn’t hold out much hope of help given my past experience and unfortunately, they didn’t disappoint. The response was “your equipment’s out of warranty so there is nothing we can do”. Despite my protest that a camera of this age which is well treated and stored with care should not have a problem, they just didn’t want to know other than saying they could me find a Sony repair centre.
Roll forward six months. I had tried to live with the fungus problem, not expecting it to get much worse; unfortunately, I was wrong and it had spread across the inside of the front element. I took the RX10 to Real Camera in Manchester who I have dealt with a number of times and asked if they could have their engineer take a look (if you are ever in the market for a used film camera or need repairs, Real Camera are highly recommended).
I have now received word back from the engineer and the problem is indeed fungus on the inside of the lens. Worse still, it’s not possible to clean the affected elements as the problem is inside a sealed unit where the elements are cemented in place. This means the replacement of that particular lens group. I have authorised the work as it’s still a cost-effective repair but it raises an important question, how did fungus get inside a sealed unit? I have only two possible answers in my head:
- The fungus was introduced during assembly which would bring into question the manufacturing.
- The unit wasn’t properly sealed, which also brings into question the manufacturing.
In showing no interest in my problem, Sony have, to my mind missed the opportunity to identify and correct an issue. Ultimately, I feel Sony are showing contempt for their future customers by not investigating a problem which (I hope) is unusual.
Whilst I love the results from my Sony gear, this attitude will cost them in the future. I already refuse to use Sony lenses with my A7R as I have never had one that’s sharp into the corner. All have been bitingly sharp in the centre but this makes the edges and corners worse.
I have only one thing to say; Sony, you need to wake up and put customer service first.
Last weekend I was up in Northumberland, staying at Bamburgh. As you would expect of any landscape photographer, I took the opportunity to shoot the castle at both sunrise (wonderful) and sunset (challenging).
The image above is from one of the rather challenging “sunsets” (there wasn’t any sun) but I still like something about it. I have experimented quite a bit with the processing, even producing the black and white version below. Despite this, I don’t think I have hit on quite what I wanted (although the B&W is my favorite) so I think it will be back to Bamburgh at some point. I will share a few of the better images in the future.
Have a great weekend.
Many of you will be aware of my frustration over the poor results when processing Fuji RAW files with Lightroom. This apparently is a well-known problem amongst Fuji users who want to shoot RAW (although it wasn’t well known to me when I purchased my XT1). The problem seems to have spawned many different solutions among users, from trying to work with Lightroom using “quite extreme” settings to adopting other RAW converters. I personally have pursued and experimented with this last option myself, but it’s not ideal. Lightroom is a great tool and provides an excellent workflow.
Then, a few weeks back I reported here that following experimentation, I was now able to achieve improved sharpening results when using Lightroom. This involved minimising the use of the Detail and Threshold slider, then applying a subsequent Structure adjustment in Viveza. What I couldn’t rationalise though is why I was now experiencing such an improvement by holding back on the Detail slider when previously it had often been necessary to push this to 100%.
Then the penny has dropped.
I had been contacted by a couple of Fuji users who asked if I was aware of any improvements to Fuji sharpening in the latest release of Lightroom and Photoshop. Whilst I hadn’t seen anything, it made me realise that I had upgraded to the latest Adobe CC release, just before experiencing the improvement.
I have since processed a lot of XT2 RAW files and all are responding very well to a traditional sharpening and processing approach in Lightroom. In a recent comparison with my Sony A7r (with which I use with Canon L Series lenses), the resulting images are similar except the Sony has slightly larger dimensions and is slightly sharper at full magnification. Both images produce an excellent print where you can’t see any difference.
Here is an example comparison at 100% magnification. The image on the left was captured using the Sony A7r whilst the image on the right is the Fuji XT2.
I wondered if this was just an effect when sharpening the XT2 RAW files, so I returned to my XT1 files and tested some of these. The results are also much improved. Comparing the results from Lightroom to the same file processed using the Iridient RAW converter, the gap has narrowed. The Lightroom results now appear much closer to those from Iridient when applying just Capture Sharpening. The Lightroom results can then be improved by applying Selective Sharpening in Lightroom as well as Structure adjustment with the Nik Tools.
Due to the workflow in Lightroom and my use of other cameras (Olympus EM5 and Sony RX10 & A7r) I suspect I will be using Lightroom for most of my Fuji RAW conversion. I may have occasion to venture into Iridient or RAW Therapee but where I need to work fast I think Lightroom is now up to the task.
I’m interested to hear if others have any similar experiences to share.
When I first started to become interested in Photography I bought a second lens for my SLR. This also meant I needed something to carry the camera and lenses so I purchased a camera bag. It was a LowePro Nova 3 which I still have.
After this, I quickly decided that I needed a backpack to carry my now rapidly expanding equipment. Just counting around my office, I now seem to have 5 backpacks but I’m sure I have a couple more somewhere. I quickly forgot about the Nova 3 and relegated it to storing my XPan film camera.
This weekend I was away in Northumberland (which is why there was no Friday Image) and decided to take the Nova 3 with me. Don’t ask me why after all these years, but it seemed like a good idea. I could carry my Fuji XT2 together with three lenses, filters and cable release. What made it ideal is that I could stand in the sea and work easily from the bag on my shoulder. It wasn’t too large or too heavy; in fact, it was joy to use and allowed me to move around much more freely than I would otherwise.
If I were to criticise the Nova 3 at all, it would be because it didn’t have a weatherproof cover. Looking quickly on Amazon today, I can see that it’s no longer available. Instead it seems to have been replaced by the LowePro 180AW which does feature a weatherproof cover. It’s also the same price as I paid for the Nova 3 all those years ago.
It’s been a very busy weekend with the launch of my latest book “The Photographers Guide to Image Sharpening in Lightroom”. Although this is now my seventeenth book, each one brings a new set of challenges.
With this book, I wanted to include free access to a companion Video course I developed. I love books but I see video fast becoming an essential element of the learning process; this is why I recently established Lenscraft Training.
At present, there are only two courses available (but many more planned):
- “Secrets of the Darkroom Masters” available free to anyone who registers.
- “Sharpening Photos with Adobe Lightroom” available for US $20, but Lenscraft Members can currently use a 75% discount code.
You can find the book on Amazon for US $5.99/£4.99 or similar in other countries (allowing for variations in tax and exchange rates). I will continue to operate my Magazine Pricing Policy where I price my books on a par with popular photography magazines.
The books aimed at people who already know how to use the basics of the Lightroom Develop module but who want to achieve the highest quality results when Sharpening and applying Noise Reduction. It presents the three-stage sharpening methodology on which Lightroom is based, as well explaining how to use the various tools. There is plenty of advice on how to achieve the best results, together with full length worked examples you can follow. Supporting RAW files and sharpened example images are provided on my Lenscraft site. Inside the book, you will find a 100% discount code for the sharpening video course mentioned above.
If you’re interested in the book, here are the links to the UK and US amazon stores. For other Amazon sites, please search for “The Photographers Guide to Image Sharpening in Lightroom”.
If you would like to visit the new training site here is the link
If you don’t have a Kindle device, you can download a free Kindle Reader from Amazon using the link below. The reader is available for different popular platforms including Mac, Windows and Android computers, tablets and phones.
Note on Sharpening XTrans RAW Files
I have been asked if the new book examines the “special” treatment needed when sharpening Fuji XTrans RAW files. The short answer is no. My intention is to share some of my recent findings and recommendations via my You Tube Channel. I just need to clarify some points before publishing these.
I find it odd that I can seldom pick my best work immediately after a shoot. In fact, I find I often need to leave a batch of images at least 6 months before I can pick the ones I’m happiest with. Often, as is the case with this image, I need to leave the files alone for a couple of years.
I shot this image back in October 2014 when I had my brief experiment with the Nikon D800. Some of you might remember this and how I hated the camera. I now find some of the image were quite good although the lens distortion from the lenses I was using was significant. I suspect my feelings for the camera distorted my view of the images as much as the poor-quality lens.
This image was shot at Penmon on Anglesey in North Wales. I used a 2 stop ND grad to darken the sky. The post processing was performed in Lightroom to convert the RAW file and then On1 Photo RAW. I remember waiting for ages at the time for the man to walk in front of the house so that I could capture him cleanly. I’m not sure if you can see him as it will depend on the resolution of your screen but I wanted him there.
Have a great weekend and I hope you get out with your camera.