I have been reading some books about blogging recently and apparently I need a mission statement – okay, let’s go with this for a moment. When I started The Lightweight Photographer blog it was my intention to share information about lightweight cameras as well as information about achieving fast results when editing images. Four years on and I feel I have lost a little bit of focus. In an attempt to address this, I wrote a mission statement.
To create a valuable resource of lightweight photography information and to make this freely available.
And this is where I now need your help. When I sit down to write these blogs, as well as the tutorials on Lenscraft, I am guessing a little about what people want. I am also guessing as to what problems and concerns people have about following a lightweight approach. So…
- Do you have concerns about the image quality of micro 43 for example?
- Do you like to print A3 images and wonder if you will be giving up print detail?
- Are you concerned about noise levels with compact cameras?
- Do you wonder about the aperture you should use with micro 43 cameras for depth of field?
- Do you shoot with a Lightweight camera? Why?
I really want to hear about your concerns, thoughts, observations and questions. This will allow me to focus the blog and my website to hopefully respond to some of these points. If it is to do with photography but in particular lightweight cameras and image editing, then I would like to hear.
Please take a moment to let me know your thoughts.
There was a comment on my last blog post asking what had happened to the lightweight cameras as I seem to be publishing images from the Sony full frame. I was thinking about this and wanted to present a slightly longer response as it gives rise to an interesting point.
What is a lightweight camera?
The first thing that comes to mind is that size is relative. If your used to shooting with a Large Format camera, Medium Format might seem lightweight. To a Medium Format shooter, a DSLR might seem lightweight. There is a very good You Tube channel from Ben Horne who shoots with an 8×10 large format camera but then takes a Nikon D800 on his trips to use for video. That’s a camera manypeople think is perfect for Landscapes.
Is the Sony A7r lightweight? Perhaps it is as it’s a mirrorless design and smaller than most DSLRs. If I use it with old prime lenses, it’s actually smaller than my EM5 with 12-40 lens. But if we are determining a camera as being lightweight based on sensor size, then it’s not.
But then this raises the question of my Sony RX10. This is a large camera for what is effectively a bridge camera. It’s a little larger than my EM5 but has only a 1” sensor. Personally I consider it to be lightweight as I need only this camera and a couple of filters to shoot landscapes. I can fit everything into a small shoulder bag. If I were to take the equivalent lenses and the EM5, I need a larger bag.
Then there are the compact cameras. Currently I have only the Canon G7X which is a great pocket camera with the same sized (1 inch) sensor as the Sony RX10. This is definitely a lightweight camera with good image quality. Whilst I can produce good results with this camera, commercial reality means I can’t use this all the time. This is more of a carry anywhere camera in case the opportunity for a photo arises.
Finally, there is my latest purchase, the Go Pro Hero 4. This is definitely the smallest camera I have and wasn’t really purchased for photography but rather for filming some of my photo trips. I want to make some on location tutorials and will use the Go Pro to film these.
Back to the question raised, whilst I may not have published many images shot with the EM5 of late, I have been publishing shots taken with other lightweight equipment such as the RX10. I can’t shoot with every camera I own all the time and must vary the use. I like to publish recent material which probably explains the limited EM5 images. But rest assured, the EM5 is alive and well in my camera bag and will be used in the near future.
What I would be interested to understand is what people feel makes a camera lightweight. Feel free to add any thoughts as comments below.
Regular readers of this blog may have noticed that I didn’t post the usual Friday Image on Friday. My apologies for this but I am still battling with too much to do and too little time. I have fallen some way behind in responding to emails and queries as the numbers have shot up recently. I love replying to everyone but it takes time.
Anyway, I set out on a walk in the Peak District today with a camera. I was going to take the new G16 but in the end I went for the RX10. I really do love this camera but it’s been somewhat of a frustrating relationship. My first ever outing found that the white writing around the edge of the lens reflected onto my filters when the sun was at certain angles. The other major frustration I have is that the image stabilisation is poor. Sometimes I find myself keep checking if it is actually on.
It’s very easy to find the shutter speed has dropped below 1/25″ as I like to shoot at the base ISO of 80. I find that 1/25″ is pretty much as slow as I can risk, even at the wide end of the focal range (the camera has a 24-200mm f/2.8 constant lens). Below this and camera shake is evident and ruins pretty much every shot unless you are lucky. That’s one of the problems with a sharp lens, you notice the smallest of movement.
More recently I have become attuned to this problem and now push the ISO to 200 or 400. This goes against the grain with me as I always want to shoot at the lowest ISO and I hate noise. But you know what, even at ISO400 you can barely notice it and the image quality is that much better.
So this has been a bit of me rambling (pun intended) to tell you that the RX10 is one of the most enjoyable cameras I have and the one that I increasingly turn to when I just want to walk and can’t be bothered with different lenses.
I’m currently preparing a presentation on Lightweight Photography for Chorley Photographic Society where I have spoken in the past. As part of this I decided to take a few shots with my Panasonic LX7 when I was out in the Lake District on my last trip. Above you can see one of the images which I have also printed at A3 to take along on the day. The print looks quite nice with lots of detail. With the addition of a little grain I would say that it doesn’t look very “digital” at all.
This exercise got me thinking that I haven’t been using my compact camera very much over the last year. This time last year I was missing the LX5 which I had replaced with a Sony RX100. I then found I didn’t enjoy using the Sony as much so sold it for the LX7. Don’t ask me why but I never seem to be carrying the LX7 and this defeats the objective of owning a compact camera.
Anyway, I found that I really enjoyed shooting with the LX7 in preparation for the presentation and before I knew it I had ordered a Canon G16. What a bargain; £290 new from Amazon and then £40 cash back from Canon. This is where breaking the resolution comes in as I said I wouldn’t buy any more equipment this year.
I can’t yet report on the Canon as although I took it on a walk with me over the weekend the terrible weather meant that I didn’t shoot anything that’s worth showing. What I did notice is that the image stabilisation doesn’t seem to be as good as the LX7 but the noise handling appears better. Time will tell but I did find I enjoyed using the G16.
Telephoto (Long) Zooms
Continuing this miniseries, it’s time to take a look at telephoto lenses. I class these as lenses that have a focal length beyond 45mm. And please do remember, I only cover lenses that I have used. As I haven’t yet tried any pro level lenses in this class I haven’t included them in the review. If anyone does have experience with these please add your thought to the comments section. I for one would be interested in the Olympus 40-150 f/2.8 or Panasonic 35-100 f/2.8. Lens titles include links to amazon.co.uk to view the lens and ensure you know which I am refering to.
This is my current long lens having switched from the 45-200 below. The reason for my switch is because of the size and weight. This lens is actually tiny when you consider its focal length. It’s only very slightly bigger than the 14-45 kit lens so is very easy to carry. This is a huge advantage over the typical telephoto DSLR lens which tend to get bigger and heavier.
Performance in image quality ranges from excellent at the 45mm end to very good/excellent at the 150mm end of the range. At the 45mm end I would say that my example is sharper than the 14-45mm kit lens that I love so much. It also performs well from wide open, displaying little colour fringing but does improve slightly when stopped down.
A lens of this quality for such a low price is a real bargain.
This is another good performer which achieves results similar to the 45-150 lens discussed above. Beyond the 150mm lens the image does soften slightly but it’s still very good and beyond what many DSLR lenses can achieve at this focal length.
As I mentioned above, I recently sold this lens because I found I wasn’t using the additional reach beyond 150mm, given the additional size and weight of the lens.
I have seen some negative commentary on this lens but have found this difficult to understand. From my experience, I have wondered if the problems are more to do with technique than the lens. With a lens of this focal length, small vibrations can be a problem as they are significantly magnified.
The downside to the lens is that it’s quite costly and also quite specialised, giving the equivalent of 600mm at the long end. Whilst this is a good focal length for getting close to action, the maximum aperture is quite slow, making it less suited for low light work.
Next time we will look at prime lenses where there are a few surprises.
I promised I would do it if anyone asked, and you have. You can now download my Faded Summer Colour Lightroom preset for free. The preset was used to create the image above and the one in my previous post.
You can download it from a new Presets and Textures page on my Lenscraft website. You will need to log in as a member to download the file (but membership is free). When you download the zip file it contains the preset, installation instructions and a thumbnail sample image.
I hope you enjoy.
A couple of weeks back I was out with my friend Steve (who is also an Olympus EM5 owner) and we were discussing just how good this camera is. At the time we agreed that we didn’t want for anything so would stop all this chasing around after new kit and just work with what we have. Just two weeks on and I have ordered a Panasonic GM1. I just had a gut feeling that I needed one – I don’t know where the feeling came from but I tend to listen to my hunches.
But hear me out (I need to justify this for my own piece of mind).
I currently have two compact cameras, an LX7 and a Sony RX100. I like and am impressed by both but neither is perfect. Of the two, I would say I am least happy with the Sony and want to replace it. It’s not that I don’t like the Sony it’s that I just don’t love it. My intention with the GM1 is to use it as a replacement compact camera and potentially as my travel camera.
I am hoping that by pairing up the GM1 with some of the great (small) lenses that I already own I can have a great compact kit. I will need to see how well this works before deciding to sell the LX7 (as I do love that camera) but the RX100 is going on eBay.
Watch this space for my future experiences once I get the GM1 – it has just been reported to me as being out of stock.