A little while back I published a post concerning alternatives to the Adobe Creative Cloud. Whilst many people love using Lightroom and Photoshop (myself included) some don’t like the Adobe Subscription model. Today I will share the first alternative that might appeal to some of you; Exposure from Alien Skin.
I suspect many people reading this won’t have come across Exposure, or perhaps I should say Exposure X2 which is the latest release. Of those that have, you might be forgiven for thinking of it as a plug-in for Lightroom and Photoshop. Indeed, it can be used as an enhancement filter but it’s also a standalone solution.
The Browser is reasonably quick and allows for basic flagging and tagging of images. You are then able to filter the images in a folder based on flag, colour or star rating. This is all basic stuff but if you organise your images based on date shot and don’t need to add keywords, it might be all you need.
Exposure will read a range of image file formats including RAW. It would though seem to be limited to RAW files it recognises as my older version, Exposure X doesn’t recognise my Fuji X-T2 RAW images (the new X2 version of the software will though).
When editing images in Exposure you can take two approaches. The easy way is to use one of the many film pre-sets that ship with the software. In all honesty, I think these are brilliant and will produce a digital rendering very much like the films they simulate. It’s very quick to achieve good results with the pre-sets and you can also create and save your own.
The other alternative is to use the editing tools of which there are many. These are well thought out and surprisingly flexible. For example, you have a film grain tool that allows you to simulate different film sizes, roughness, colour variations, processing and then apply this in varying levels to the shadows, midtones or highlights. The tools are developed well beyond Lightroom in some respects.
In addition to the usual editing tools there are several special effects that can be applied to simulate all manner of old film effects such as light leaks, scratches, fading etc. My personal favourite is the Infrared processing that simulates the halation effect found in infrared films such as Kodak HIE. I use this tool frequently when processing my digital IR images.
If you haven’t guessed by now, Exposure is very much a film simulation tool but despite this you can create some very impressive adjustments. The limitation of the older versions (such as mine) is that the adjustments are global. With the new X2 version you also gain access to a layers feature which includes layer masking. I suspect this alone will persuade me to upgrade in the near future. There are also other feature which move the software towards being a one stop image editor.
I have been using Exposure since version 5 (that’s about 5 versions back) and I really like the results that can be achieved. The images you can produce have a feeling of maturity and sophistication that is difficult to explain. Where Exposure scores highly in my opinion though is in Black and White conversion and vintage film effects.
If you are looking for an alternative to the standard Creative Cloud tools, this is one worth evaluating.
When I started publishing a Friday Image I never dreamed that I would reach 100 but here it is. I shot this image almost 10 years ago using a Canon 300D DSLR. This was the first affordable consumer DSLR and cost me around £900 with a kit lens. At the time I was shooting 35mm film with a Canon EOS3 and a Pentax 67 MKII medium format kit. I had considered buying an XPan but decided I wanted to try digital.
Today, I’m going back over the RAW files of the day and reprocessing some. The quality of the image that this camera produced is amazing when you use the latest editing tools. It’s also only now that I am able to produce the image from the RAW file that I envisaged. Previously the colours just didn’t work and the shadows were completely blocked up and black.
The image was converted from RAW in Lightroom and then enhanced in Nik Color Efex. I used it as an example for my latest video on You Tube if you want to see what I did.
Have a great weekend.
For those of you who are Nik users, you might be interested in a new video I uploaded to You Tube. I’ve had a lot of correspondence in the past where people have struggled with how to use Nik Color Efex and why it’s different from Viveza.
Generally speaking, Color Efex is all about adding special effects to your work. But there are also a few of the filters that I think are essential. These can help you improve your photography or correct problems very quickly and I use them regularly with my own work.
This video looks at the first of these filters, which was used to enhance the image above as well as correct a serious colour cast. Even if you don’t currently use Color Efex you might find the video interesting.
This is just a short post to share that my Viveza book (covering Viveza 2) is now live in the Kindle store on Amazon. It’s priced at USD2.99 which comes out at about GBP1.94 depending on the exchange rate. The book covers all aspects of using the Viveza 2 software and is backed up by image files that can be downloaded from the members’ area of my Lenscraft website.
If you have never tried Viveza I can promise that it will speed up your image editing hugely and that it’s well worth trying the 15 day free trial from the Nik website. My book would of course help you get more out of the evaluation – but then I’m biased.
After the very relevant question from Paul I thought it best to add this link to the Free Kindle Reader download on Amazon as it’s not easy to find.
More Lightweight Photographer posts next week.
A little while back I mentioned that I was unhappy with some of the colours being produced by my GX1 and also LX5. The greens seemed a little too green and the image overall had a slightly blue cast to it. This inspired me to purchase a Color Checker Passport from X-rite as it could be used to produce a custom calibration for your camera which can then be used in the develop module of Lightroom. Well I have now purchased and used the passport and can report on its performance.
My first reaction when opening the packaging is that you don’t get a lot for your money. The passport itself is small and made from plastic. There is a CD containing the software which you load to your computer but there were no instructions other than a link to the X-rite site. In the end I watched a very good video of how to use the passport and software to generate a profile and all was clear.
The passport is basically a colour checking chart and grey card contained in a plastic cover. It’s small, light and fits neatly in your pocket. The first thing I used was the grey card in order to create a custom white balance for my GX1 (I won’t describe how to do this here as each camera is different). This was very simple and once the white balance setting was registered made an instant improvement to the images, removing the blue colour cast preventing the greens from looking quite so sickly.
Next I took two reference pictures of the colour chart in the passport. One was in direct sunlight and the other in shade, both taken around midday under a sunny sky. Back at home I converted the RAW files for the two images into DNG format using Lightroom and then loaded these to the passport software. A click of a button and 20 seconds later and my profile was ready.
Restarting Lightroom and switching to the Develop module I could see my new conversion profile which when selected had an immediate impact on the image. I noticed that the image contrast improved and some colours (red in particular) became much more vibrant and realistic. Colours also looked completely natural.
I wondered if this result had been a fluke so repeated the process with my LX5. The results were even better and the images now look very lifelike. The image here is of the edelweiss flower (I hope I spelled that correctly) which is actually quite rare and grows at altitude in the Alps. I found this particular flower at around 2,600m under a bright blue sky and took the picture on my LX5. The colours having used the “passport color checker” appear completely natural and subtle.
This tool is quickly becoming an indispensible accessory in my camera bag. I just need to remember to use it.