Tag Archives: peak district

Sunrise at Higger Tor

Rocks on Higger Tor at sunrise, The Peak District. Fuji X-T3. See text for technical details/settings.

Yesterday morning I managed to drag myself out of bed at 05:00am and drove over to the Peak District. I had been watching the weather for weeks waiting for the right conditions. It had been warm during the day but then the temperature was forecast to drop overnight, with only thin cloud cover and no wind for the next morning. The conditions were perfect for Landscape Photography and all being well there would  be mist/fog in the Peak District.

As I drove past Ladybower on my way to Higger Tor I ran into a few fog banks. I could also see the mist rising off the surface of the reservoir. As I passed the fishery, the high cloud was turning pink and reflecting on the calm surface of the water. I decided to stop and shoot a couple of frames, but I’ll save that for another time once I’ve processed them properly.

When I arrived at Higger Tor, the sunrise was in full swing and unfortunately, I think I missed the best of it having stopped at Ladybower. This shot was my second frame, the first being a reference shot to check the camera setup. As the sun was now just above the horizon and starting to catch the ground, I found this position where I could capture the light on the rocks and still retain a good sky.

Capturing a good shot was relatively easy as the sun wasn’t in the frame, but I still needed to use a ND Grad filter on the sky. Without it the ground and rocks just became too dark. I also took the opportunity to shoot the image with exposure bracketing. This would give me 5 frames from which I could select the best exposure to work with and if necessary, do some exposure blending.

In the end, the best image was a single exposure without any exposure compensation. This had a nice sky, but the rocks were a little too dark. I was able to correct this during my RAW conversion in Capture One. I’m now a huge fan of Capture One for processing the Fuji RAW files and swear by it.

Following RAW conversion, I applied additional adjustment using the Nik Collection and a little Dodging and Burning in Photoshop.

I shot the image using a Fuji X-T3 and the newly released Fuji 16-80 lens. This gives a focal range of 24-120 in full frame terms which is very useful. I like the lens and have a few observations to make in a future article. I had the camera set to ISO160 which is the base ISO. The aperture was f/11.0 which gave a shutter speed of 0.7”. I had the camera mounted on a tripod for this and used a Kase 0.6 (2 stop) hard ND grad on the sky.

I hope you like the image and have a great weekend.

Friday Image No.230

Ladybower Reservoir, Peak District. Fuji X-T3, Fuji 55-200mm lens, ISO160, 1/20″ at f/13.0. Kase 0.9 ND Grad (soft) filter on the sky. Tripod mounted.

It’s been a good year for shooting in the Peak District. If I look back a few years, I almost never ventured into the Peaks. Instead, I preferred to make a 2 hour drive up the motorway to the Lake District. These days I would much rather drive 45 minutes to locations like this. Ladybower reservoir.

My original intention in visiting this spot was to shoot the heather in the evening sun. But as the sun became lower the light on the distant water and hillside caught my attention. I couldn’t resist popping the 55-200 lens on the Fuji X-T3 and taking a shot.

Peak District Processing Miniseries

If you haven’t already watched these, I’ve now produced two sets of videos demonstrating my photo editing workflow. Both use images shot in the Peak District and I’ve now posted these to my website in short articles.

Series 1 – Bamford Edge Heather (Capture One, Photoshop and the Nik Collection)

Series 2 – Peak District Millstones (Affinity Photo and Nik Silver Efex Pro)

I hope you like the video and image.

Have a great weekend.

Friday Image No. 229

Curbar Edge after sunset, Peak District. Fuji X-T3, Samyang 12mm lens, ISO160, 2.1″ at f/8.0. 0.9 Soft ND Grad filter and tripod.

It’s Friday again and I’ve spent the entire week trying to layout the print version of my latest book. The desktop publishing software I’m using launched only recently and I’m hitting quite a few bugs. Given how frustrating this is I decided to stop to share an image instead.

I shot this last weekend at Curbar Edge in the Peak District and there are a few points I want to highlight:

  1. This is around 15 minutes after sunset, which is fast becoming my favourite time. The bright white dot in the sky is the moon. There’s something very nice about the light after sunset.
  2. The sun set immediately behind me which dramatically reduced the dynamic range of the scene. Even then I used a 0.9 (3 stop) Soft ND Grad filter on the sky.
  3. The heather in the scene looks great but it’s dead. The reason it appears pink is because of the magenta colour of the light. That’s what happens shortly after sunset when you place the sun behind you.

The key takeaway for me from this image is that it pays to understand how light changes depending on the time of day and angle. It would have been all too easy to have stopped shooting after sunset, or even have faced the wrong direction.

I hope you like the image and have a great weekend.

New Book Launch: Essential Adobe Photoshop CC

The Hope Valley cement works. The Peak District.
The Hope Valley, Peak District. Fuji X-T3, Fuji 55-200, ISO160, 1/180″ at f/11.0. Tripod mounted.

Today I’m happy. My latest book “Essential Adobe Photoshop CC” is available on Amazon. It’s the longest book I’ve created by some way and I’ve been writing it for the past 6 months. That’s quite a project.

It’s written for people who are either new to or struggle with Photoshop. It’s priced at £6.49, $7.49 or similar in other currencies. You can use the link http://viewbook.at/amazon-photoshop-cc to view the book on the Amazon website for your country and download a sample.

Now I’m working on the print version and furiously trying to learn my new publishing software. I’ve decided the popularity of my print books requires an improved layout and design. That means new and unfortunately much more complex software. It will be worth it though.

Friday Image No.227

I love a good atmospheric black and white image, but I often think of bad weather producing the best results. But in this example, the weather was glorious and sunny rather than cloudy and raining. I think this conversion to black and white using Nik Silver Efex Pro has worked well.

For anyone familiar with the Peak District, you’ll probably recognise the scene. This is the cement works in the Hope Valley. I shot the image earlier in the evening on the same day as last week’s heather photo. At that time the sun was still quite high in a clear blue sky. Fortunately, a lot of atmospheric haze has saved the shot.

I captured the image with a Fuji X-T3 and Fuji 55-200 lens at full reach. At f/11 and ISO160 I had a shutter speed of 1/180”. Although this is fast, I still mounted the camera on a tripod and used a cable release. I wanted to be sure I would avoid the risk of camera shake.

I hope you like the image and have a great weekend.

Don’t Immediately Judge Your Photographs

Ladybower from Dewent Edge, The Peak District. Fuji X-T3, 16-55 lens, ISO160, 1/5″ at f/11.0

Friday Image No.222

Last week I wrote that I had been out, but I failed to shoot any usable images. I’ve changed my mind and decided to share this one. It’s not as I imagined at the time but there is something about the hillside that I like. What I don’t like is the strong orange of the sky, but then again that was the scene. It just goes to show that sometimes you need to get some distance from a shoot before you can appreciate your images. I will probably need to go through these again in a few weeks once the memory of the evening has faded.

I captured this scene from Derwent Edge in the Peak District. The body of water you can see is Ladybower reservoir. I haven’t used any filters but did mount the camera, a Fuji X-T3, on a tripod. The lens is a Fuji 16-55mm which is super sharp but lacks image stabilisation, making the tripod essential at times.

I processed the image from a RAW file using Capture One for Fuji (Pro edition). I’ve decided to invest in the Capture One software after being so impressed by the results from the Express version. You can read about my reasons for switching on my website blog.

My latest newsletter is also out if you haven’t seen it. In there I share some tips about avoiding lens flare ruining your images when shooting into the sun. One of the techniques involves shooting two versions of an image and in one of these, you use your finger to block the sun. This removes the lens flare and allows you to merge the two images later. If you would like to see how I’ve just released a YouTube video explaining the technique.

I hope you like the photo and have a great weekend.

Friday Image No.211

Foggy sunset looking across Hope Valley in the Peak District
Foggy sunset looking across Hope Valley in the Peak District. Fuji X-T2, Fuji 55-200 at 75mm, ISO200, 1/210″ at f/9.0. Tripod and 0.9 (three stop) Soft Kase ND Grad filter.

I captured this image a few weeks back now. At the time I wasn’t sure quite how best to process it and to be honest I’m still not sure.

I captured this from Bamford Edge in the Peak District looking across Hope Valley to the cement works. It was a little before sunset and the conditions were quite challenging. Not because they were unpleasant but because the light was so bright. The valley was filling with fog and the low sun was streaking through the clouds. I couldn’t see the image properly on the back of the camera and even using the viewfinder I was struggling.

At the time it looked like the conditions were so bright that they exceeded the cameras dynamic range, even using a three-stop Kase Soft ND Grad filter. I did bracket the shot (with the filter) using five exposures. My thinking was that I would create an exposure blend, but the image above is a single exposure. With some tweaking in Lightroom, I was able to control the exposure enough to create a good base image. Much of the processing was then with Luminosity Masks (using Lumenzia) before converting to black and white using Nik Silver Efex Pro.

I’m probably going to revisit the image when I have more time.

Have a great weekend.

Friday Image No.206

Peak District Panorama from Stanage Edge. Fuji X-T2, Fuji 55-200 lens at 55mm, ISO200, 1/55″ at f/10.0. Kase 0.9 Soft ND Grad Filter. Tripod. Two Frames Stitched in Lightroom.

As I’m sat here looking for a Friday Image to post, I realise I haven’t been out with a camera all week. The weather’s been grey and wet, although it’s been trying to snow this afternoon. I’ve also had my head buried in the second draft of my Affinity Photo book. I want to finish this and get it off for editing so that I stand a chance of launching later in the month or early February.

Anyway, I thought I would look through some of my recent shots and found this one from mid-December. It’s two images captured on my Fuji X-T2 and stitched in Lightroom.

It’s funny because I remember this sunburst at the time but forgot that I had shot it. It was quite an amazing scene and I noticed it as soon as we arrived at the parking. I thought I would miss it by the time I had walked up and onto the edge, but I didn’t. In fact, it went on for almost 30 minutes before the clouds cleared.

Shooting the image was straightforward. I used a long lens to crop in on the sunburst and a soft 0.9 ND Grad on the sky. I set the metering to use the centre of the frame which was quite bright. I figured that if I let it expose that area to a midtone it would intensify the colours in the sunburst and send the foreground hill into silhouette. The trickiest part was trying to focus as the camera wouldn’t lock onto anything. In the end I focussed manually on the horizon, slightly out of frame. I then recomposed and captured the frames I needed.

I hope you like the image and have a great weekend.