It’s not often that I have free time these days but this weekend was different. My wife had gone to a knitting exhibition over in Harrogate with her sister and I found myself with a free afternoon. On the rare occasions when this happens and I don’t have any photography organised I like to experiment with photography software and image processing. This weekend was no exception and I decided I wanted to produce some large LX5 prints.
My target was to produce a 30” inch print which would stand close scrutiny. Whilst a print of this size needs to have some distance between the image and the viewer to be appreciated, I also want to feel happy that if someone (probably me) sticks their nose up to the print, that it would still appear detailed and sharp. The image I went to work on was this picture of Brooklyn Bridge (shown below) that I shot last March on my LX5 whilst visiting New York.
When we prepare an image we usually think about our vision and how we can create this using either the camera or image manipulations such as dodging and burning. But if you are intending to print large you also need to evaluate the image to find and correct weaknesses that will become apparent in a larger print. The main areas of concern are noise, sharpness and detail.
The detail element of the image really needs to be addressed first during image capture. The best way to do this is to use good lenses, shoot in RAW and then expose to the right on the histogram (overexpose the image slightly). This moves a lot of areas out of the shadows and helps open them up to increase detail. Also the way image sensors work, a lot more information is captured in the darker areas with a lot less noise present. The result is a more detailed image which is sharper in the darker areas. The over exposure is then corrected when the RAW file is converted. As I always shoot in this way I had a good starting RAW file.
My next step was to assess the image for weaknesses. Here I could see some limited Luminance noise, especially in the clear blue sky. I decided that I needed to do a good job of selective noise reduction to focus on the shadows and on the sky. I did this using the Nik Define filter but I was careful to make my conversion from RAW with no sharpening and only colour noise reduction first. By not sharpening at all I ensured the noise was not emphasised before I applied the noise reduction. I also like to ensure the Nik Define filter is the first luminance noise reduction applied to the image as I have found this works best.
The steps above gave me a nice clean starting position to make my adjustments and convert to Black and White. After the Black and White conversion I used a programme called Topaz Detail which is very good at revealing details hidden in the image. Only once I was happy with this did I resize my image and then apply selective sharpening to the finished image. This gave me a nicely detailed and sharp image that was also very clean in terms of noise. Whilst I don’t yet have the print I can judge how it will look by viewing my image at 50% magnification.I have taken a screen grab of part of the 30inch x 20 inch image zoomed to 50% so you can judge this for yourself.
I also produced a second resized image at 18” on the longest side in order to print on A3+ paper. The resulting print is very detailed, with nice tones and is exceedingly sharp.
I hope information helps you if you are seeking to make larger prints from an LX5 or similar quality compact.