Yesterday I published a new video on my You Tube Channel
This is one is another of those videos focussing on the overlooked adjustments. People often overlook some of the most powerful adjustments in favour of the most obvious. If you want to create some black and white conversions reminiscent of film, watch this short video.
I hope you enjoy.
This isn’t a deliberate ploy to post the same image as last week. This image was taken at the same time as last week’s Friday image but the lighting is stronger. The reason it looks stronger is that the image is processed using Nik Viveza. When I did this, I employed a few adjustment tricks that people might not realise to try. I decided to share these “Secrets of Viveza” using a video which is posted on my you tube channel. I also embedded the clip below.
I hope you find it useful and have a great weekend.
As some of you reading this may know, I have recently switched from a PC to a Mac for Photography. Initially it was a move from a laptop to a MacBook. Next came the move from my desktop PC to an iMac. This last move is probably longer term as I need to retain a Windows PC for businesses reasons.
Having paid a not insignificant sum for the iMac I decided it was time to get serious about my image editing. For years I have used a mouse for most editing tasks but at one time I did buy a cheap Wacom graphics tablet. In reality, the tablet was too small, I didn’t enjoy using it and then I broke it. But now the time is right to grasp the nettle and invest in a larger tablet.
What I really want is a larger graphics tablet that would provide me greater control over detailed work. At the same time this tablet needed to fit on an already overcrowded desk without getting in the way. Something around A4 size would probably be ideal. The tablet also needed to have a number of buttons (virtual or physical) which I could program with useful commands. My other requirements include:
- A nice surface to move the pen nib across.
- Functional buttons on the pen/stylus.
- The pen needed to be of a reasonable size and weight to make drawing comfortable.
- At least 2000 pressure levels allowing the pressure applied to the pen to be interpreted by my software.
- A resolution of at least 5000lpi.
I started my search with the Wacom tablets as they are a recognised industry leader with a quality product. Their tablets clearly meet my needs but I needed to pay quite a bit, typically in excess of £200. Bearing in mind my earlier experience I couldn’t quite bring myself to pay this.
I decided to search Amazon which revealed a lot of graphics tablets for less than £100. The one that I really liked was the XP-Pen Star03. It met all of my requirements and was only around £50.
I have to admit to being rather dubious of this low price but in the end thought it was worth the risk. Having now used the tablet for around a month, I like it – a lot. It’s useful for applying more artistic editing to images. Do I use it all the time? No.
Where a graphics tablet like this comes into its own is when you to brush in or out adjustments and this depends on the software you use. The Nik filters for example provide excellent Control Point technology so tend not to need a graphics tablet. In contrast, if you work a lot with Photoshop Layers or products such as On 1 Enhance, the graphics tablet brings real benefits.
If you find yourself looking for a graphics tablet to try, I would definitely take a look at the XP- Pen. It works with both Mac and Windows PC’s.
I mentioned on Friday’s blog post that I was heading out for an early morning shoot the following day. At the time the weather forecast appeared to be little hit or miss. The intention was to shoot Winnats Pass in the Peak District. I was meeting a couple of friends there and to be honest the weather conditions on the drive over had me feeling hopeful. Unfortunately, within 2 miles of my destination I hit a fog bank but I wasn’t to be deterred.
Meeting up we decided to press on as the pass is high and the Hope Valley often fills with fog at this time of year. This can give rise to a cloud inversion where you find yourself looking out across a sea of cloud. The first challenge though was finding our way. I had never been to this location and my friends had only been once before. If you add to this the dark and thick fog, you should be able to guess that we got lost trying to cross a field. Eventually we did find the path and emerged onto the head of the pass. The view that greeted us was dull and foggy.
Rather than share one of my images with you, here’s a link to another photographer’s website. This is what it should have looked like.
If the sun did come up on that morning, we missed it.
Eventually we cut our losses. Regrouping we gathered our thoughts with a cup a tea and cooked breakfast. This is when we decided to try Padley Gorge in the Peaks. The water and trees might prove quite evocative in the mist. Again, luck was against us as the fog cleared by the time we arrived, leaving us with a dull and overcast sky.
The image you see at the top of the post was taken in the gorge where there’s an old quarry. For those of you who don’t know, the round stones in the image are millstones. The gritstone in the area was perfect for making these and you can find millstones in many locations throughout the Peak District. They are a sort of icon of the area. My intention had been to shoot the image for B&W conversion given it was still too early for autumn colour. Having now seen the colour and B&W together, I do prefer the colour image, I think. Here’s the B&W version in case you’re interested.
In the end we gave up at around 13:00 and by the time I had driven home (about 50 minutes), the weather was glorious. As I said, landscape photography is frustrating.
It’s the end of another week and I’m preparing for an early morning start. I’m going to try some shots over in the Peak District but as is often the case, the weather forecast doesn’t look too good. Hopefully things won’t look quite as bad when I get on location.
I have also been busy trying to find an image to share but I wasn’t coming up with much. In the end I selected the image above. I have shared other images from this shoot in the past but I really like these.
This is a single RAW image processed in Lightroom and then enhanced with Nik Viveza. I have tried to keep the adjustments looking natural and I hope you like the treatment.
Have a great weekend.
Video Posted on Updated on
I recently received an email asking if it was possible to resize (increase) an image in Lightroom. I have heard this asked a few times so rather than reply with an email trying to describe the process I thought I would post this short video.
I hope a few of you find it useful.
Many of you reading this will be aware of my move to a Fuji XT1 and the concerns I had regarding the image quality. Now to be clear, it wasn’t that the image quality was bad but rather under certain circumstances fine detail was lost during the RAW conversion in Lightroom. Sometimes foliage would have an unusual appearance that was almost false.
In the following screenshot you can see a section of the above image at 100% magnification (you may need to double click the image to view it at full resolution). Whilst this isn’t a severe problem I don’t care for the detail in the image foliage as much as I do the results of other RAW processors I have now found.
Since encountering this I have been experimenting with a number of RAW converters including RAW Therapee and Iridient. I am very impressed with both of these as RAW converters but they lack some of the tools of Lightroom and/or are a little trickier to use. RAW Therapee for example has a very large selection of tools in an interface that’s hard to grasp initially.
In the following image you can see the same image processed with Iridient, also at 100% magnification. Although lacking in midtone contrast, the image is more natural in appearance and there is greater detail in the foliage.
And here is the RAW Therapee conversion at 100%.
Again, this has more detail and is sharper than the Adobe version but also looks more natural. I also prefer it to the Iridient version if I’m honest.
I have now come across another RAW converter that clearly has parallels with Lightroom, even offering some of the same functionality. Although it’s not as easy to use or quite as well designed as Lightroom, it does seem to produce images with excellent levels of detail and sharpness. This is also true when processing XTrans RAW files and so may be another alternative for people who want an alternative to Adobe. Best of all the software is Free and the enthusiasts behind this project are to be commended. The only potential downside is that it’s not available on the Windows platform but if you use a Mac, you really should take a look at the software.
Here is a section of the image at 100% (I apologise for not matching the colour and contrast but I haven’t yet mastered the processing).
The name of the software is Darktable.