Tag Archives: Fuji X-T3

Friday Image on Saturday – oops

The Scottish Highlands. Four image stitch using a Fuji X-T3 and 50-200 lens. ISO160, 1/25″ at f/11.0. Tripod mounted and Kase 0.9 ND Soft Grad filter.

I’m starting with an apology for not posting this week’s Friday Image on a Friday.

The past week has been rather frantic with quite a few time critical things:

  1. The Lenscraft June newsletter needed finishing and publishing. If you haven’t subscribed, you can read it here (https://lenscraft.co.uk/photography-tutorials/read-lenscraft-in-focus-photography-newsletter/).
  2. This week’s YouTube video tutorial explaining how to use the Nik Collection from Capture One needed publishing (https://www.youtube.com/watch?v=XipDxh7tlbM&t=19s).
  3. I had to launch my new Luminosity Masking course. The course is only a month late but, in my defence, it’s almost 5 hours of video. You can find out more and watch three preview lessons here (https://lenscraft.teachable.com/p/the-photographers-guide-to-using-luminosity-masks/).
  4. Unusually I needed to prepare next week’s YouTube video a week in advance. This is a big review, but I can’t reveal any more at this time. The video goes out on Wednesday at 14:15 UK time so if you don’t already subscribe to my YouTube channel you may want to consider it.

But let’s get back to the image.

This is yet another image from my Scotland trip. I shot it just after dawn and as you can see the sun is just creeping up over the horizon. It’s a stitch panoramic created from 4 shots with the X-T3 in a horizontal format.

I had the camera mounted on a tripod that I had spent quite a bit of time getting level. This allowed me to pan the camera across the range without it dipping to one side. This was important because the lens, a Fuji 55-200 was at the 200mm end because I was so far from the mountain range. I had my doubts that this would create a usable image, but I’m really pleased with the finished result.

In terms of filters, I was using a Kase 0.9 (3 stop) soft graduate over the sky. Ordinarily, I don’t like to use a filter when there is a lot of clear sky in the frame as it can make it appear unnatural. But in this shot, I needed anything to help me prevent the image from having too much contrast. I also had to tackle the problem of potential underexposure which I did by having the camera in manual mode.

The finished image is sizable. If I printed it at 240dpi it would be 47” x 17” without any resizing.

I hope you like the image and have a great weekend.

My New Favourite Lens for the Fuji X System

Scottish Highlands, Fuji X-T3, Samyang 12mm lens, Kase 0.9 Soft ND Grad filter. ISO160, f/8.0, 1/00″ handheld.

I have a new favourite lens for my Fuji X series cameras, but I can’t explain why. It’s the Samyang 12mm. That’s right, a Samyang lens.

It’s sharp, I mean really sharp and it feels very well made. It’s manual focus only but at 12mm, there is so much depth of field you stop it down to f/8.0, focus on infinity and click away. When you shoot into the sun, as in the image above, the Samyang creates a wonderful 6-point starburst effect. Best of all, I couldn’t see any flare.

So how much did this cost me? Just £280 from Amazon would you believe (https://amzn.to/2HQoMi6).

This lens has made me want to buy more wide-angle primes. I know it’s silly because I already have the excellent Fuji 10-24, but the prime is a joy to use in the landscape.

The Friday Image

In all honesty, I’ve lost count of the number for the Friday Images so I’m just going to keep publishing an image along with updates. It’s yet another from my Scotland Trip. I couldn’t tell you the name of this bay, but I could take you there. It was a rather opportunistic shot; we were just driving past, and I asked to stop whilst I shot this. With the Samyang 12mm of course.

If you want to see other shots from the trips with a few location details, I published this video to You Tube recently. You may recognise some of the shots but there are a few new ones that I haven’t shared.

Enjoy the video and have a great weekend.

Shooting the Dawn Landscape at Mellon Udrigle

Pre-dawn at Mellon Udrigle, Scotland. Fuji X-T3, 16-55 Fuji Lens, ISO160, 20″ at f/11.0. Kase Wolverine 0.9 Soft Grad filter. Tripod mounted.

I said in my previous post that I had a few more images from my recent Scotland trip. This shot is one of them. I took it at a location called Mellon Udrigle which was around an hour drive from Ullapool in daylight. That might not sound like much but when you want to be in position by 6:00am, it makes for a long day. The drives also lengthened by the need to keep a look out for deer which emerge from the side of the road at an alarming frequency.

Putting all these difficulties aside, this was an excellent location to visit. I took the shot around 20 minutes before sunrise when the sky was nicely coloured by the sun below the horizon and everything was a strong blue/pink. I used a 0.9 (3 stop) Kase Wolverine soft grad filter on the sky and a 16-55 Fuji lens on my Fuji X-T3. The shutter speed was 20” at ISO160 and f/11.0.

I think this demonstrates the need to start shooting before the sun comes up. Once the sun came up the colours turned quickly to orange and yellow and the contrast in the scene increased sharply.

I hope you like the image and have a great weekend.

Have You Tried Topaz Gigapixel?

Scottish Highlands, Lake Assynt. Fuji X-T3, 18-55, ISO80, 1/6″, f/14.0. Tripod and Kase 0.9 Soft Grad.

Gigapixel from Topaz is an image enlarger. The hype on the website says it uses machine learning to create more detailed enhancements. The website also shows lots of comparisons between Photoshop and Gigapixel. I was intrigued but at the same time very sceptical of the claims, so I decided to try it out on some of my images. You can see one of these in the video below which I just published on my YouTube Channel.

If you decide to try Gigapixel (and I strongly recommend you try it before buying), please use the link on this page. It’s an affiliate link which helps me cover the costs of running the Lenscraft website, this blog and producing YouTube videos, but it doesn’t cost you any more.

Friday Image No.219

This week’s image is another from my recent trip to the Highlands of Scotland. If you subscribe to the Light and Landscape free magazine (it really is excellent) you may already have seen this in my interview.

The image is a great example of matching the content to the conditions. The conditions at the time were surprisingly calm and the loch which was usually very choppy became like glass. There was also a thick blue haze in the air which tended to fade the distant hills. This allowed me to throw more emphasis onto the island and its reflection.

I captured the image using a Fuji X-T3 camera and a Fuji 18-55 kit lens. I mounted the camera on a tripod, and I set the ISO to 80 and aperture to f/14.0. This was to slow the shutter to 1/6” so that the surface of the loche was smoothed a little and the reflection became more broken by the ripples. I tried other speeds, but they didn’t work as well as this. A Kase 0.9 Soft ND grad was used over the sky to help balance the exposure.

Iridient X-Transformer was used to convert the RAW file to the DNG format before processing with Adobe Lightroom. The colour image was then processed to black and white using Nik Silver Efex Pro.

Lenscraft Newsletter

For members of my Lenscraft website, the latest newsletter goes out on the 4th May. It’s also published on the Lenscraft Newsletter page on the 4th May.

I hope you like the Friday image and have a great weekend.

Friday Image No. 218

Looking towards Ullapool in the Scottish Highlands. Three frames Fuji X-T3, Fuji 55-200 lens at 100mm. ISO160, 2.5″ at f/10.0. Tripod mounted with Kase 3 stop soft ND Grad filter.

I don’t have a great deal to share this week other than a recent image. The week’s flown by and I haven’t even posted a video on Youtube. Instead, I’ve been concentrating on developing my new in-depth Luminosity Masking course. I do though want to share this photograph that I shot from my recent Scottish Highlands trip.

The reason this image is important is because it’s an excellent lesson in how to shoot landscape photography. You see landscape photography is less about equipment and composition than most people think. The important things (assuming you can take a decent image) are being able to plan, understand the local conditions/changing light and make decisions based on this.

The evening I captured this photograph, we were about an hour drive from this location. We had been in position on a beach, waiting for a sunset. The weather forecast was positive and for a while the cloud cover looked like we were on for a stunning display. But then as sunset came closer the cloud started to thicken and the sun became lost. At this point we realised there was only a slim chance of a sunset remaining.

The decision to make was, do we wait it out on the beach in the hope of a sunset or head back and hope to catch the blue hour light nearer to Ullapool.

Given everything we knew about the location, the excellent blue hour light in recent days and the time it would take to drive back, we opted to leave. Fortunately, everything went to plan, and I was able to shoot this three-image stitched panoramic looking towards Ullapool. It’s exactly as I had envisaged it and I love the soft pastel colours and smoke rolling across the mountains.

So, was there a sunset at the beach? I have no idea, but I’m happy with the shot I captured.

I hope you like the image and have a great weekend.

Landscape Photography in the Highlands of Scotland

Sunrise in Assynt, Scotland. Fuji X-T3, Samyang 12mm lens, 1/15″ at f/11.0 and ISO160. Kase 0.9 ND Soft Grad filter. Tripod mounted.

If you were expecting a Friday image last week I apologise. I was in the highlands of Scotland for a week, trying to cram in as much landscape photography as possible. I had intended to make a post from there, but it turned out the broadband wasn’t working in the accommodation we rented. There also wasn’t any phone signal to speak of, although we found one location that had a full 4G signal. Unfortunately, that was on a hill in the middle of nowhere about an hour’s drive from the accommodation.  It’s also where I shot the photo above.

That’s right, the only time I had a phone signal that supported internet browsing was whilst taking this shot.

The location is not far from the town of Lochinver and is three frames from a Fuji X-T3 stitched in Lightroom. The lens was a Samyang 12mm and I used a 0.9 Kase Soft ND Graduated filter. The important part that’s often overlooked is that we had to get up at 4am in the morning to drive and walk to this location in time for sunrise.

Photoshop Content Aware Scale

If you would like to see another of my landscape photos from the trip, watch at my latest Youtube video.

The image I show is again a three-frame stitch from a Fuji X-T3 using the excellent Samyang 12mm lens (I love this lens). In the image the sun isn’t in the centre of the frame and the needs the left side extending to give it balance. The video shows how to do this firstly using the Photoshop Content Aware Scale command. It then compares the result with the regular Transform tool. I won’t say which was best here, but it was a surprise.

Know-How Transfer Easter Sale

I usually don’t mention software sales in the blog but I’m making an exception with Know-How Transfer. I have most of their products and find they save me time and are very good. They have a 20% sale on until midnight on the 25th April, just enter the code easter19 at the checkout.

And to be clear, I don’t have any connection with the company. I just like what they do.

I hope you have a great weekend.