Tag Archives: fuji 55-200

Friday Image on Saturday – oops

The Scottish Highlands. Four image stitch using a Fuji X-T3 and 50-200 lens. ISO160, 1/25″ at f/11.0. Tripod mounted and Kase 0.9 ND Soft Grad filter.

I’m starting with an apology for not posting this week’s Friday Image on a Friday.

The past week has been rather frantic with quite a few time critical things:

  1. The Lenscraft June newsletter needed finishing and publishing. If you haven’t subscribed, you can read it here (https://lenscraft.co.uk/photography-tutorials/read-lenscraft-in-focus-photography-newsletter/).
  2. This week’s YouTube video tutorial explaining how to use the Nik Collection from Capture One needed publishing (https://www.youtube.com/watch?v=XipDxh7tlbM&t=19s).
  3. I had to launch my new Luminosity Masking course. The course is only a month late but, in my defence, it’s almost 5 hours of video. You can find out more and watch three preview lessons here (https://lenscraft.teachable.com/p/the-photographers-guide-to-using-luminosity-masks/).
  4. Unusually I needed to prepare next week’s YouTube video a week in advance. This is a big review, but I can’t reveal any more at this time. The video goes out on Wednesday at 14:15 UK time so if you don’t already subscribe to my YouTube channel you may want to consider it.

But let’s get back to the image.

This is yet another image from my Scotland trip. I shot it just after dawn and as you can see the sun is just creeping up over the horizon. It’s a stitch panoramic created from 4 shots with the X-T3 in a horizontal format.

I had the camera mounted on a tripod that I had spent quite a bit of time getting level. This allowed me to pan the camera across the range without it dipping to one side. This was important because the lens, a Fuji 55-200 was at the 200mm end because I was so far from the mountain range. I had my doubts that this would create a usable image, but I’m really pleased with the finished result.

In terms of filters, I was using a Kase 0.9 (3 stop) soft graduate over the sky. Ordinarily, I don’t like to use a filter when there is a lot of clear sky in the frame as it can make it appear unnatural. But in this shot, I needed anything to help me prevent the image from having too much contrast. I also had to tackle the problem of potential underexposure which I did by having the camera in manual mode.

The finished image is sizable. If I printed it at 240dpi it would be 47” x 17” without any resizing.

I hope you like the image and have a great weekend.

Friday Image No. 218

Looking towards Ullapool in the Scottish Highlands. Three frames Fuji X-T3, Fuji 55-200 lens at 100mm. ISO160, 2.5″ at f/10.0. Tripod mounted with Kase 3 stop soft ND Grad filter.

I don’t have a great deal to share this week other than a recent image. The week’s flown by and I haven’t even posted a video on Youtube. Instead, I’ve been concentrating on developing my new in-depth Luminosity Masking course. I do though want to share this photograph that I shot from my recent Scottish Highlands trip.

The reason this image is important is because it’s an excellent lesson in how to shoot landscape photography. You see landscape photography is less about equipment and composition than most people think. The important things (assuming you can take a decent image) are being able to plan, understand the local conditions/changing light and make decisions based on this.

The evening I captured this photograph, we were about an hour drive from this location. We had been in position on a beach, waiting for a sunset. The weather forecast was positive and for a while the cloud cover looked like we were on for a stunning display. But then as sunset came closer the cloud started to thicken and the sun became lost. At this point we realised there was only a slim chance of a sunset remaining.

The decision to make was, do we wait it out on the beach in the hope of a sunset or head back and hope to catch the blue hour light nearer to Ullapool.

Given everything we knew about the location, the excellent blue hour light in recent days and the time it would take to drive back, we opted to leave. Fortunately, everything went to plan, and I was able to shoot this three-image stitched panoramic looking towards Ullapool. It’s exactly as I had envisaged it and I love the soft pastel colours and smoke rolling across the mountains.

So, was there a sunset at the beach? I have no idea, but I’m happy with the shot I captured.

I hope you like the image and have a great weekend.

Friday Image No.211

Foggy sunset looking across Hope Valley in the Peak District
Foggy sunset looking across Hope Valley in the Peak District. Fuji X-T2, Fuji 55-200 at 75mm, ISO200, 1/210″ at f/9.0. Tripod and 0.9 (three stop) Soft Kase ND Grad filter.

I captured this image a few weeks back now. At the time I wasn’t sure quite how best to process it and to be honest I’m still not sure.

I captured this from Bamford Edge in the Peak District looking across Hope Valley to the cement works. It was a little before sunset and the conditions were quite challenging. Not because they were unpleasant but because the light was so bright. The valley was filling with fog and the low sun was streaking through the clouds. I couldn’t see the image properly on the back of the camera and even using the viewfinder I was struggling.

At the time it looked like the conditions were so bright that they exceeded the cameras dynamic range, even using a three-stop Kase Soft ND Grad filter. I did bracket the shot (with the filter) using five exposures. My thinking was that I would create an exposure blend, but the image above is a single exposure. With some tweaking in Lightroom, I was able to control the exposure enough to create a good base image. Much of the processing was then with Luminosity Masks (using Lumenzia) before converting to black and white using Nik Silver Efex Pro.

I’m probably going to revisit the image when I have more time.

Have a great weekend.

Friday Image No.206

Peak District Panorama from Stanage Edge. Fuji X-T2, Fuji 55-200 lens at 55mm, ISO200, 1/55″ at f/10.0. Kase 0.9 Soft ND Grad Filter. Tripod. Two Frames Stitched in Lightroom.

As I’m sat here looking for a Friday Image to post, I realise I haven’t been out with a camera all week. The weather’s been grey and wet, although it’s been trying to snow this afternoon. I’ve also had my head buried in the second draft of my Affinity Photo book. I want to finish this and get it off for editing so that I stand a chance of launching later in the month or early February.

Anyway, I thought I would look through some of my recent shots and found this one from mid-December. It’s two images captured on my Fuji X-T2 and stitched in Lightroom.

It’s funny because I remember this sunburst at the time but forgot that I had shot it. It was quite an amazing scene and I noticed it as soon as we arrived at the parking. I thought I would miss it by the time I had walked up and onto the edge, but I didn’t. In fact, it went on for almost 30 minutes before the clouds cleared.

Shooting the image was straightforward. I used a long lens to crop in on the sunburst and a soft 0.9 ND Grad on the sky. I set the metering to use the centre of the frame which was quite bright. I figured that if I let it expose that area to a midtone it would intensify the colours in the sunburst and send the foreground hill into silhouette. The trickiest part was trying to focus as the camera wouldn’t lock onto anything. In the end I focussed manually on the horizon, slightly out of frame. I then recomposed and captured the frames I needed.

I hope you like the image and have a great weekend.