In Friday’s blog post I mentioned that I was heading up to the Lake District for some photography. To be honest, I wasn’t particularly hopeful as the plan was to climb some of the hills there and see what took our fancy. The weather forecast in the area was for snow/rain showers at sea level so I expected snow showers on the hills – I wasn’t disappointed.
In the end the weather forecast was pretty much spot on although the snow shower on the decent felt as though it has set in for the day and was quite heavy. Despite this we managed some reasonable photography and I managed to get a feel for the new Canon G16 compact camera that I had in my pocket.
My first thoughts on the G16 are as follows:
- Image quality is really quite good. Noise is well controlled even when shooting at ISO800. It appears on the face of it to be better than the LX7 in this respect.
- Image sharpness is good although it tends to go a little soft in the corners and is not as sharp as the LX7. I suspect the image circle of the G16 is smaller than the LX7 which means the lens corners are softer. They are though perfectly acceptable and the centre of the image is very good.
- I found the 28mm end of the lens frustrating and really wanted to go to 24mm. At the other end of the zoom range the extra reach in comparison to the LX7 was most welcome and I found myself using it quite a lot to isolate areas of the distant hills. I can’t say that Preferred one over the other but would like someone to make a 24-140mm lens (my RX10 is perfect but large).
- The filter adapter that fits around the lens takes the same approach as the LX5 (a lens tube surrounding the lens) where the LX7 attaches to the front of the lens. This makes the G16 quite bulky when the adapter is attached but it is quick and easy to remove using a bayonet style attachment rather than a regular screw thread. All things considered I prefer the LX7 method for the reason in the next bullet.
- I had been looking forward to using the optical viewfinder on the G16 rather than an EVF but in the field I found 2 big drawbacks. First the viewfinder is quite small which made it difficult to use. Secondly, the lens adapter tube got in the way because the viewfinder was centred over the lens. In fact the adapter tube made the optical viewfinder almost completely useless because you can’t see the image. When will manufacturers learn to field test equipment with real photographers?
- The colours rendered by the G16 are very nice but they are also a little on the warm side.
- I found the button combinations on the G16 a little tricky, less intuitive and more frustrating than the LX7. This could in part be my lack of familiarity with the G16 although I wasn’t making mistakes, just having to go through menus and multiple button presses to get it to do what I wanted. I may be able to fix this when I read the manual on how to programme the buttons.
- It may sound daft but I found that I liked working with the Canon RAW files in post production. Some RAW files just feel more flexible and forgiving than others.
- When I was out in the field I found there was very little latitude to expose to the right. In fact I struggled to avoid the flashing highlights in almost all my shots. Blown highlights were everywhere despite using a 2 stop ND grad. In the end I just gave up trying to control this and turned it off. Back on the computer when I have loaded in the RAW file it looks like there is plenty of headroom in the highlights which is a little frustrating.
Overall the G16 is a nice camera to use and will produce good results, but I can’t see it replacing my LX7. Will I keep both? Yes for the time being. I want to use the G16 in an urban environment as it seems to be more suited to this than Landscapes.
The other thing I am going to do is make more use of my GM1. I bought this as a high quality compact camera and whilst the image quality is superb (on a par with the EM5) the 24-64mm equivalent lens is a little restrictive. I therefore intend to buy the 70mm-200mm (small GM ultra compact) lens. I can easily carry the camera in one pocket and the lens in the other. This strangely may make a better option for a carry anywhere camera.
It’s a very quick post for this week’s Friday image. That’s because I have only just got home and I need to pack for a trip to the Lake District tomorrow. Hopefully I can take advantage of the forecast snow.
I wasn’t too sure which image to post so I thought I would resort to another from my last trip to the lakes. I was browsing through and noticed this one I had shot. There was just something that I liked about this tree. I hope you do too.
Have a great weekend everyone.
I’m currently preparing a presentation on Lightweight Photography for Chorley Photographic Society where I have spoken in the past. As part of this I decided to take a few shots with my Panasonic LX7 when I was out in the Lake District on my last trip. Above you can see one of the images which I have also printed at A3 to take along on the day. The print looks quite nice with lots of detail. With the addition of a little grain I would say that it doesn’t look very “digital” at all.
This exercise got me thinking that I haven’t been using my compact camera very much over the last year. This time last year I was missing the LX5 which I had replaced with a Sony RX100. I then found I didn’t enjoy using the Sony as much so sold it for the LX7. Don’t ask me why but I never seem to be carrying the LX7 and this defeats the objective of owning a compact camera.
Anyway, I found that I really enjoyed shooting with the LX7 in preparation for the presentation and before I knew it I had ordered a Canon G16. What a bargain; £290 new from Amazon and then £40 cash back from Canon. This is where breaking the resolution comes in as I said I wouldn’t buy any more equipment this year.
I can’t yet report on the Canon as although I took it on a walk with me over the weekend the terrible weather meant that I didn’t shoot anything that’s worth showing. What I did notice is that the image stabilisation doesn’t seem to be as good as the LX7 but the noise handling appears better. Time will tell but I did find I enjoyed using the G16.
This week I want to share with you another image from my recent trip to the Lakes. At the time this was my favourite although this feeling is now fading. I often find this happens. What appeared to be a great/favourite image immediately after a trip is replaced by a different favourite as the memory of the trip fades.
This image is a stitch of 4 shots from the Olympus OMD EM5 with the Olympus 12-40 lens set to 12mm. Stitching was done in Photoshop using the cylindrical stitching mode. I find this often produces the least distortion when you haven’t used a panoramic set up. But it then leaves you with the problem of levelling everything up and filling in the corners of the image.
This image was no different so I used my usual technique of applying a Warp Transform followed by cropping the image to size. After that it was down to processing with Photoshop and the Nik Collection tools.
I liked the image after the shoot and I still do. My feeling now is that I might have more subtle and pleasing images if I spend some time reviewing the shoot. I will probably get around to that in June if I’m lucky.
Anyway, I hope you enjoy the image and have a great weekend.
Well that’s Christmas and New Year over with, at least for another year. It was great in that I managed to see many of my family, some of whom I don’t get to see that often. On the down side I ended up not achieving much on my ever growing list of work. Current projects that I intended to finish over the period (and didn’t) included:
- Publish my latest book “Beginning Photography the Right Way”
- Launch a new set of Lightroom Presets called the “Polaroid Construction Kit” and which as the name suggests allow you to give images a “Polaroid look” in Lightroom.
- Produce Video Tutorials to support my “Essential Photoshop” book. I have wanted to do this for a long time but only now found software that I’m happy to work with.
- Finish the new website as there are some areas that need further development.
I did manage to:
- Publish the quarterly newsletter including a video tutorial
- Shoot some new material in the Lake District (see above image)
- Answer all the many emails that came in over the holiday period
I think it’s about time I set myself a strategy and defined some goals for the year or I could find myself busy without achieving anything. Hopefully I can include shooting lots of new material and sharing some video tutorials.
In my previous post I mentioned how I had been up to the Lake District with a friend for an early morning shoot. This image was from the end of the day when amazingly the weather was still working in our favour.
I love fog and mist. I think it can transform locations when the conditions and lighting are good. It’s still hard to believe that the conditions we had on this day were so ideal.
Hope you like the picture and have a great weekend everyone.
It was an early start yesterday. Up at 4:30 in the morning in order to make the 2 hour journey to Ullswater in the Lake District for a dawn shoot. Despite the early morning start it was without question one of the most enjoyable days photography that I have ever had.
Overnight the temperature had dropped like a stone and there was a thick haw frost on the ground. Most waters in the Lakes had a thin layer of ice starting to form around their edges but because the temperature had dropped rapidly the deeper water was still cooling. Instead of ice covering their surface they had a wonderful mist and the conditions just got better as the day went on. The image you see above is of the boat jetty near Pooley Bridge, at dawn. Captured on the Olympus OMD EM5 with Olympus 12-40mm lens and a 0.3 ND Grad on the sky. Aperture was f/9.0 (a mistake as I would have shot this at f/7.1 usually). ISO200 and shutter speed 1/125″.
So you might ask, what is the important decision? The answer is, that I have decided to sell the Nikon D800; but I want to explain and share my reasoning.
Firstly, this is the third trip I have made where I can’t bring myself to carry the extra weight. When I returned from Bolivia I suffered a prolapsed disk at the base of my neck and for a while it looked like I might need major surgery. Fortunately, this is looking less likely now but the pain over the past couple of months has been unbearable at times – and pain killers just didn’t have an effect on it. I was finding that even trying to lift and support the heavier equipment was aggravating the pain.
OK, so this might be a temporary condition (I certainly hope it is) but other things are more permanent and important. One of the reasons I bought the D800 was that a lot of people were claiming how the image quality is exceptional with the right lenses and I would agree, yes it is. The camera would perform very well even with lesser quality lenses but needed a little more adjustment to really bring this out. But the important point is, the image performance is no better at low ISO (which I use almost exclusively) than the EM5. In fact, the corner and edge sharpness of the EM5 images beats the D800 even with high quality lenses.
All I really get with the D800 is an image file that produces a 24.5″ inch image rather than 15.36″ at 300dpi. Does this additional image size matter? Well, unless I am going to be making a print larger than 30″ and look at this with my nose pressed against it. You really need to be doubling the print size to notice the difference in output quality due to the way inkjet printers work. If you print on Matt paper then you might even need to go larger than this. As for output to the Internet, there is no benefit to having more pixels and then throwing most of these away by downsizing the image.
Where the D800 does score well over the EM5 is in the RAW files. I seem to be able to push these all over the place in editing and see almost no noise, even in shadow areas. This is very nice but again it comes with a downside. The RAW files from the D800 do seem to need much more processing in comparison to the EM5 RAW files. It’s almost as if the D800 RAW files are a little flat, possibly to the additional dynamic range the camera has. Whatever the reason, it feels like I am having to relearn how to get the most out of the camera and I don’t really have time for that at the moment.
The final and most important problem is that the D800 really doesn’t suit my style of shooting. What I don’t like to do is pop the camera on a tripod, spend a lot of time getting into position, check everything and then make one or two good exposures. This just doesn’t work for me. My approach is to move around and into the subject, taking lots of pictures and checking them regularly. As I work I find images that I like or things I like about an image that I work with to incorporate. The shots gradually get better until I arrive at the image I want. This style of working isn’t for everyone but if it’s your style, you will find it hard working with a large DSLR.
I do have to admit though that I didn’t always recognise this. It was only when I moved to the EM5 that my shooting style really started to develop in this way and that I started to feel free. Now when I try to go back it’s as though I am constrained and I have lost that feeling of freedom and spontaneity.
So, this is my reasoning but I will caveat it with a final thought. I reserve the right to change my mind. As I was writing this I was looking back at some of my RAW files from the D800 and they do have a quality that I really like. I’m just not sure it’s enough to make me want to keep the camera.