Another image with a sea theme. This was from my trip a few weeks back to the Lake District. On the way I had a stroll up Black Combe from which you can see the largest offshore wind farm in the world (at least that’s what it said on the BBC news). If you look carefully in the light area you can just about make out a few of the wind turbines.
Post processing was in the new Nik Analog Efex which is fast becoming one of my favourite creative filters for artistic and old camera effects.
Have a great weekend everyone.
I admit that it’s been a while coming but I have finally managed to shoot the XRite ColorPassport in suitable lighting conditions to generate a profile for the Olympus EM5. To be honest, I didn’t expect the new profile to achieve much as the EM5 produces good colours already and in any event, Lightroom includes a few alternate profiles. I was therefore pleasantly surprised when I generated this profile and tried it out in Lightroom. The images are noticeably stronger and more natural than using the Adobe Standard profile. I also like the new profile more than the other options that now come with Lightroom for this camera.
If anyone uses Lightroom and an Olympus EM5 (shooting in RAW format) then you can download the colour profile for free from my Lenscraft web site.
This week’s Friday image is another from my recent holiday. I call this one Blue Haze but not for obvious reasons. I just happened to be stood looking out to sea, admiring the view and thinking the house I was outside had a priceless view (this one). The name of the house? You guessed it, Blue Haze.
Have a great weekend everyone.
After I posted this black and white image taken from near the summit of Great Gable in the English Lake District a number of you wanted to know what the starting image looked like. Well here is it.
Looks great eh and you can immediately see how I turned it into the finished version above (only joking). If you can’t and want to know how I achieved the conversion, take yourself over to my Lenscraft website and register as a member – don’t worry it’s free. This entire conversion will be detailed in Summer 14 newsletter which I will be publishing shortly. Members receive an email notification when the newsletters published. You can also be sure that I won’t spam you as I HATE spam email.
Recently I posted a blog entitled Emotional Challenge where I spoke about my recent interest in the emotional aspect of photography and how we could create images that had more emotional impact. As an initial example I posted the image of a seagull flying over the sea. Now some of your reading this will be relating the image of the seagull to seaside holidays, perhaps recalling childhood memories. Others though may have an entirely different perspective of the image.
If you are not from a climate where the seagull is a common sight on the coast you may not have any emotional memory to attach to the image. Instead you may see a huge open stretch of water with a bird gliding graceful over it and flying off into the distance. For you the emotional message in the image is one of freedom.
Today I have posted a few variants of the image that are also intended to add further layers of emotion, using various tricks or rather emotional triggers.
The first variant below has cropped the image to a square format. Whilst this possibly doesn’t give as dynamic a composition as the standard rectangular image, it is none the less a trigger. Some people will associate the square format with older cameras. The other change in this example was the vintage effect. Here lighting and colouring have been used to create the impression of older photography. All these changes were achieved quite quickly in Lightroom using the crop tool and a few gradients.
The next example is a little more complex. This takes the Lightroom conversion and applies effects using Nik Analog Efex 2 (which is a recent release). The effects here are light and colour adjustments, blur, vignette, dust and an edge effect similar to the old Polaroid film.
In the next two examples the results of the Nik Analog Efex filter have been added as a layer in Photoshop to the Original Lightroom image. The blending mode has then been changed on the Nik layer. In the first of the two the blending mode is set to Soft Light.
In this second image the blending mode is set to Overlay.
All these images are likely to mean different things to different people but all are likely to have an effect. If we can isolate the emotional triggers from great images and then learn how to recreate these in our own work, our photography will improve. But this carries two significant dangers. Firstly people are likely to either love or hate your work. Secondly your work can become a cliché and the effects boring.
I never said it was easy.
After a short break last week I wanted to share a new Friday Image. This was taken just over a week ago in Cornwall. We went down to St Ives which is a lovely Cornish village if you have never had the opportunity to visit. The light there is amazing and some of the atmospheric effects at sunset can be spectacular.
Have a great weekend everyone.
Someone recently sent me a link to a competition. I don’t normally enter these but thought I would give it a shot seeing as how one of my favourite subjects is the sea. Here is the link for anyone out there who is interested in trying their hand also. The compertition is being run by Cruise.co.uk
There are also some cracking pictures on the judges site so well worth a look.
Recently, besides buying lots of new equipment, I have become interested in the challenge of introducing emotion into photography. With some photography (mainly involving people) it tends to be a little easier. You can catch that moment of joy or the look in a subjects eye but with landscapes it becomes a little more difficult. Sure you can show wonderful, breathtaking scenes but this doesn’t always translate into an emotional element.
What I want to achieve are images that evoke an emotional response or a feeling of nostalgia. The only tools I have to do this are my camera, choice of composition and post processing “effects”. This is probably a worthy challenge to set myself and one that I don’t yet know how to achieve. It’s also going to be made more difficult as not everyone will see the same or respond in the same way to the same image.
Above is a simple image which is not much different than how it came out of the camera. I think it has potential through the composition and subject matter to evoke emotion. I suspect with more processing it could achieve a stronger impact.
What do you think?