It’s felt like an eternity since I witnessed a good sunset or sunrise. But last weekend, I made a trip over to Formby with a friend and it was as if everything just fell into place.
The day had been a little frustrating, alternating between too much cloud and not enough. As we sat on a rock, about an hour from sunset the sky was crystal clear. I didn’t hold out much hope of a sunset. Then, the clouds seemed to change direction and a large formation drifted slowly across the sky. It didn’t seem to be moving fast enough to reach the sun in time. But it did, and the scene was glorious.
I captured this frame on the Fuji X-T2 with a 10-24 lens. I had the camera mounted on a tripod which was set quite low, probably about two feet from the ground. I also got to use my new Kase Wolverine Reverse Grad filter which made an amazing difference to the scene. I’m a complete convert after one outing – using this filter on sunsets is amazing. The camera was set to ISO200 and the aperture stopped down to f/13.0. I did this primarily to create a star effect around the sun. Unfortunately, it didn’t work for this frame as the sun had dipped just that little too low.
I should also say that I didn’t process this RAW file in Lightroom either. I opted instead for Capture One Pro 11, which seems to have added a remarkable amount of subtle colour detail into the clouds. Lightroom in comparison rendered most of the cloud above the sun as a monotone mass of colour. In Capture One the cloud looks like more like flames. I’m going to run a few more trials on Capture One as the image quality appears much better than a couple of versions back, especially with the Fuji RAW files.
I hope you like the image and have a great weekend.
Here’s a query that I see with some regularity so I thought it would make a good blog topic. When photographing landscapes the sky is often lighter than the ground and this can cause the land to be either too dark in the final image or the sky is too light. Two common approaches to solve this problem are the Neutral Density graduated (ND Grad) filter and multiple exposures. Which do I recommend?
ND grads are filters that fit to the end of the camera lens and which are dark on one half and clear on the other. The dark part is placed on the lens to darken bright areas such as the sky, so balancing the exposure with the land. This results in a nicely exposed sky and ground, leading to a more pleasing image. I should say that if you want to know more about purchasing these filters, there is a full tutorial on my Lenscraft website at http://www.lenscraft.co.uk/training/160.html.
The approach with multiple exposures is to take as the name suggest multiple images, all identical except that the exposure changes. Typically this involves bracketing the exposure by say 1 stop above and below the correct exposure. The resulting images are then blended together in an image editor to achieve a final image with a balanced exposure. Alternatively you might choose to blend the images together using some form of HDR software.
Before saying which method I prefer I should make it clear that neither approach is perfect and both have advantages and disadvantages. Because of this I actually use both approaches from time to time although I do prefer one over the other.
The problems I see with the ND Grad filter are:
The graduate filters can be a little clumsy to use as you really need a holder and lens adapter to attach them to the camera. They actually add quite a bit of size to the camera, sometimes quite dramatically.
The filters are prone to scratching as they are usually made of optical plastic. If you buy the glass ones they are prone to cracking or breaking, which given their price makes you want to cry.
Although these filters should be neutral they often display a colour cast which is sometimes linked to the lighting and weather conditions. This can result in odd coloured skies even when the filters are neutral.
They can sometimes be difficult to line up so that their effect isn’t obvious. This isn’t so much of a problem with micro 43 cameras which have a small sensor.
The areas of light and dark don’t always line up in a straight line e.g. a tree cuts into the sky and ends up becoming darker because the filter cuts across it.
The Multiple Exposure method also has its difficulties:
The exposures really need to be identical for the best results. This often forces the use of a tripod.
You need to ensure you don’t change the lens focal length or point of focus between shots.
The longer exposure shot in the bracket sequence can sometimes be soft due to camera shake. Another reason to use a tripod.
When using a lightweight camera I don’t like to carry a tripod unless I have to.
Blending takes time and photo editing skills. Often I just can’t be bothered with all the extra work.
On balance and because I come from a film background where I used to shoot slide film, ND Grads are my preferred option. I will however shoot multiple exposures if the situation needs it and I feel the benefits of doing so will outweigh the additional processing time. Overall I would say both methods work and it’s a personal choice you feel happiest with.
If there is a single accessory I see as essential (not just useful) it’s the ND Grad (Neutral Density Graduated) filter. This is the filter that is clear at the bottom but a dark grey colour at the top. There is a graduated area to gradually transition from one to the other. It’s call Neutral because it’s not supposed to have any impact on the colour of the image although some do. If by the way you want to know more about these filters and the options there is a tutorial on my Lenscraft website at http://www.lenscraft.co.uk/training/160.html.
The ND grad comes in various strengths and is used to darken a bright area of an image such as the sky, which might otherwise cause the other areas to become too dark. As I’m sure you can imagine this is very important to Landscape Photographers especially when shooting scenes with a high dynamic range such as sunsets. Without this filter you will typically end up with either a lovely sky and a black ground or a well exposed ground and a white sky.
Not using ND grad filters is probably the biggest mistakes newcomers to Landscape Photography make. Certainly you can take multiple exposures and blend them together but this is additional effort and time. If we are to keep our workflow lightweight as well as our equipment, it’s important to get it right in camera where possible and this is why the ND grad is so important to me.
There are a number of manufacturers of ND grads. Lee Filters are widely considered in the UK to be the best and used my most of the Pro Landscape Photographers. Whilst I too use Lee filters, I find they are expensive, quite bulky and heavy. Certainly where I am using a small sensor camera such as my GX1 or LX5, I don’t need the size or weight of the 100mm Lee system.
Recently I have started to use Hi-Tech filters which in the UK are marketed by Format Filters and they have performed very well indeed. These filters can be purchased in P size (85mm), are slightly thinner than Lee, certainly cheaper and the accessories to attach them to the lens are much lighter. By carrying a 0.3 and 0.6 filter wrapped in a lens cloth I have everything I need at a fraction of the weight and cost. Additionally, if I need a Neutral Density filter (rather than a graduate) to slow exposure I simply pull the filter down lower in the holder so only the dark area covers the lens.
All this keeps my equipment light and allows me to enjoy my photography much more. The image shown here was taken using a ND grad filter to balance the exposure for the sky with the rest of the image or I would have lost the light rays breaking through the clouds.