I have mentioned here before that this will be the year that I finally upgrade my beloved LX5. Not because it doesn’t perform but because it’s being surpassed by new technology that has a lot more to offer me. My intention however was to earn the cost of the upgrade by selling Microstock, something I had promised to blog about in the future.
Well I have been signing up for Microstock and starting to submit images but I will talk about this in the future. What I want to share today is that I have already taken the plunge and purchased a new compact camera. The funding came from an unexpected source; I had sold some camera equipment on eBay last October but I was so busy at the time I had forgotten to withdraw the funds. What a great surprise, especially as it has enabled me to purchase a new Sony RX100.
The new camera arrived on Saturday so I haven’t been able to shoot any useful material (certainly nothing I would be happy to publish) so you will have to make do with a completely unrelated image. Hopefully I will be able to capture some example images this coming weekend if the weather allows.
Initial impressions of the RX100 are very good although I think I will need to adjust my shooting approach from the LX5. The camera is well built with the exception of the battery door cover which feels quite flimsy. Quite surprisingly the camera is smaller than my LX5 and fits in my pocket much more easily. Perhaps it’s even a little too small which is making it tricky to shoot using only one hand.
Whilst it’s a little early to say, the image quality appears to be very good. I do need to remember to stop down a little further than f/3.5 I am used to using with the LX5 however as the depth of field isn’t as great. The RX100 has quite a large sensor that’s not much smaller than a Micro 43 sensors. I still find it hard to believe however that Sony has managed to squeeze this into such a small body and give it 20Mpixel.
At the moment the RX100 is looking like an impressive package although I need some time to really put it through its paces. I will report back in the future, but to me this is the future of Lightweight Photography.
I have discussed on this blog in the past how I sold my NEX5 because I wasn’t happy with either the range or quality of the lenses. These factors were very important to me so I’m not saying the NEX5 is a bad camera. Quite the opposite in fact and there is one feature in particular that I deeply miss and that is the Sweep Panorama.
This is the ability to shoot a panoramic picture by simply releasing the shutter and moving the camera slowly and smoothly in a given direction. The camera takes images in quick succession and then stitches them into one long panoramic image in camera to produce a final JPG. If you have never used this feature I can assure you it is very addictive and makes shooting panoramic much easier than shooting and stitching multiple images in software. What has suddenly made me nostalgic for this feature was my recent trip to Whitby where my friend was using his new Sony camera and I would regularly hear the tell tale clicking shutter of the sweep panoramic.
With this in mind I decided to review some of my old sweep panoramic images such as the one shown above. Now whilst I am raving about the sweep panoramic there are a few limitations you need to be aware of – at least in the NEX5 at the time I was using it.
Firstly you need to set up the camera with the direction of sweep. Is it left to right, bottom to top or the reverse of one of these? This can take time and sometimes you don’t have the camera ready at just the moment you need it.
Moving subjects can be difficult to capture. Imaging you are standing on a beach and photographing a wave coming in. The wave will have moved slightly between each shot and the stitching usually couldn’t deal with this.
Finally there was the problem with stitching fine details which was magnified further when using a wide angle lens. Take a look at the sample below which shows this problem.
This can of course be overcome with some work in Photoshop however I would rather avoid this and have a finished image where possible.
On a final positive note, the Sweep Panoramic seemed to overcome the problem with soft corners (although this may be due to in camera cropping).
For now then I will still have to lust after the sweep panoramic mode and continue to stitch my images in software.
In the past I have received quite a bit of correspondence from people wondering why I changed my camera from the Sony NEX-5 to a GX1. There is also a fairly regular flow of people wondering what I think of the GX1 or the Panasonic system in general and is it worth investing in. Since I started publishing the Light Weight Photography blog in addition to my Lenscraft website the volume of enquiries has accelerated. It seems many people are considering going light weight but just have some doubts. I thought therefore I would take a little time to outline how my journey has brought me to the Panasonic GX1 in the hope that it will help anyone facing this decision. If this raises any questions, add them to this blog posting below and I will do my best to answer.
Firstly I would like to say that I won’t recommend anyone reading this make a decision based on what I like and what suites me. Selecting a camera is a very personal choice and one that each photographer has to make for themselves. I will however outline why I have made the choices I have.
My first serious “light weight” camera was a Sony R1. This had a 10Mpixel sensor and a fixed Zeiss lens which was the equivalent of 24mm-120mm. The camera produced good images that I was very pleased with but the resolution really became too small for what I wanted to do with my work (mainly stock and fine art). The sensor was starting to show its age with poor low light performance (due to noise) and the entire camera was still the size of a small DSLR. (By the way I still miss this camera.)
It was these limitations together with the launch of the NEX-5 that convinced me to sell the R1 and buy the NEX-5. My hope was that the NEX-5 would perform similarly to the R1 with a higher pixel resolution (14Mpixels), better low light performance, all in a smaller package with a more complete coverage of focal lengths. To go with the NEX-5 body I purchased the pancake wide angle prime 16mm lens, the kit lens which I think was an 18-55mm and the very large 18-200mm super zoom. At the time this was the entire range of lenses although there were regular rumours of new lenses.
Initially I was happy with the camera and impressed with some aspects such as the excellent sensor and small size. I soon became aware however of new limitations and that my decision to purchase the Sony had been heavily influenced by the performance of the R1. I had reasoned that Sony had produced such a great camera in the R1 that the NEX-5 had to be better – but for me it wasn’t.
The body and kit lens together were still too bulky and the 18-200 lens was simply huge. The prime 16mm and kit lens whilst tiny suffered from diffraction and left my pictures a little soft (not a lot but enough to frustrate me). Corner focus on all lenses ranged from acceptable to dreadful and I was having my images regularly rejected by Stock libraries as a result. Worst of all for a landscape photographer was that the widest lens equated to 24mm on a full frame camera and I needed at least a 20mm.
For a while I considered a lens adapter with the NEX-5 but I still couldn’t get the lens quality and focus length I wanted in a compact, lightweight package. It was this that caused me to switch to a Panasonic GF1 which was starting to show its age at that time. This was a 12Mpixel camera and I purchased a 14-45mm lens, a wide angle 9-18mm (equivalent to 18-36mm) and 45-200 lens. This was a great outfit with quality lenses in the focus lengths I wanted, all in a small package. The image quality was good and I never had an image rejected from this camera.
I have to admit that I loved this camera due to its design, build and size (my daughter now has it). The limitation was that the sensor wasn’t quite as good as I would have liked. I could see a little too much noise and at 12Mpixel it was still a little too small. It was these limitations that encouraged me to purchase the GX1 body with its 16Mpixel sensor. The lenses I have kept because I think they are excellent in terms of image quality, build, size and weight. The 9-18mm in particular is amazing.
I think the GX1 produces great pictures but it’s probably not the end of my journey. Ideally I want a 20Mpixel sensor with better low light capabilities. I also find the GX1 sensor still has a little too much noise for my taste (you may think otherwise) so I often apply light noise reduction even at ISO100. I should mention to put this in perspective that I can often see noise patterns in my 5D MKII even at ISO100. The size and lenses are however spot on and I can only see myself adding to these. In fact I have also added the Panasonic 20mm prime and Olympus 45mm prime which are both first rate.
I think my view has now shifted to make lenses my most important factor when choosing a camera system (providing its small and light) and I accept that I will upgrade my camera body from time to time. I hope from this explanation that you can see my journey and reasoning and that it will help you. As I mentioned above, if anyone has any questions post them here and I will do my best to answer.