My latest Lightroom Tutorial is live and available for free download from my Lenscraft website. It’s published in PDF format and goes live ahead of publication on ePHOTOzine. The last tutorial proved very popular and I am always open to suggestions for future articles.
Membership of Lenscraft is free and you will gain access to past tutorials and newsletters. I also promise you won’t receive loads of spam and unsolicited offers. I do this because I enjoy sharing my experience with like minded photographers.
I have just uploaded a new Lightroom tutorial to the members area of my Lenscraft website. It covers the key controls in the Develop module and is one of a few that I am currently working on.
The article will probably go live on ePHOTOzine in the next could of weeks but members have the opportunity to read it first and also download it as a pdf file for offline viewing.
Oh yes, and if you are wondering about the image it’s a shot from a few years back which I have reprocessed with my new Nik software. It was shot on a Canon 400D which isn’t really lightweight but my processing was. The conversion only took a couple of minutes work.
As I have said before in my blogs, I am a huge fan of Lightroom because of the speed and ease with which it allows you to edit your images, converting them from RAW files. I find that in the majority of cases I can get at least 80% of the way to my final image by just using the tools Lightroom provides. It’s then a case of exporting these images to Photoshop for some final “pixel polishing”.
Well this all changed at weekend when I decided to invest in some of the Nik software packages. To be honest, it was the free copy of Viveza 2.0 that came with my recently purchased ColorMunki that convinced me to try Nik’s Black and White conversion software. When I downloaded this for Photoshop (and by the way I was very impressed by the package) I noticed they had a Lightroom version and that I could buy all their packages for use in Lightroom at about half the price of Photoshop.
Over the weekend I took the plunge and purchased the Lightroom collection of Nik plug-ins. As soon as I started to use these I found that I was able to produce higher quality, finished images without the need to step outside Lightroom. This approach is a huge time saver for me and really strips my processing workflow back to the essentials.
That’s not however the end of the story because being able to use these plug-ins within Lightroom got me thinking what other plug-ins do I use that might work with Lightroom. Following up on this I was able to install and use a version of Photomatix HDR software in Lightroom. I then found I could download a free piece of software from Topaz Labs that made their plug-ins available in Lightroom.
Now one limitation of Lightroom is that it doesn’t have the capability to support Layers and Masking, something I use extensively in Photoshop. I remembered something about On One Software developing a package called Perfect Layers that provided this capability so thought I would investigate. That’s when I found I could download Perfect Layers 2 for free from the On One website, I assume because they will be releasing Perfect Layers 3 shortly.
So if you use Lightroom I would suggest a little investigation into third party plug-ins/editors could prove to be very valuable.
I had an interesting weekend in terms of photography. I didn’t take a single image but I did improve my work and made some substantial breakthroughs. What gave raise to this? Well one of my friends came over and we spent time reviewing our work and suggesting improvements. This was great in terms of development but it also allowed me to discuss some frustrating aspects of micro 4/3 photography with a second person. The most frustrating of these is the colour produced by my Panasonic cameras when converting RAW files.
You see I have long thought that the RAW files from my LX5, GF1 and now GX1 produce colours that don’t seem entirely natural. Greens, reds and blues all seem too strong and saturated. It is however difficult to judge on your own so yesterday was a great opportunity to discuss this with a very knowledgeable photographer whose views I trust. The result was that we agreed the colours were off. Whilst the image at the top is a black and white conversion I am showing the original colour image here together with a colour adjusted version we created.
The original colour image with the defauilt RAW settings is shown above
Here is the corrected image. Notice the orange of the cylinder on the right. In the uncorrected image this is a false orange and is also over saturated. Also notice the red plastic can on the left. In the original this looks raspberry and is too saturated.
To create the colour adjusted image we needed to:
- Increase the colour temperature by 300K
- Shift the Orange Hue and reduce its saturation
- Reduce the saturation of blue in the scene
These are subtle adjustments but they are enough for your brain to pick up that something isn’t quite right.
The reason for these odd colours is not however down to Panasonic but the Adobe software I am using to convert the RAW files. It’s the calibration Adobe bundles with their colour engine that is causing the issue. I have therefore taken the step of purchasing a colour passport checker to use with my Panasonic cameras in future. I hope this will allow me to correct the problem and will report again in the future.