No I haven’t gone mad, but I do need a bigger camera – sometimes!
Some of you reading this will recall my decision a few months back to sell my Canon 5D MKII and switch to an Olympus OMD EM5. At the time I felt the EM5 would give me the quality I needed but provide me with a much lighter kit and greater shooting flexibility.
Well, the Olympus has met my expectation and more but it has a few limitations I can see now that I have been using it for a while:
- The hand grip isn’t large enough so after a while I find my right hand becoming tired because I need to grip the camera just a little too firmly. I suspect Olympus are also aware of this as they have addressed it in the new EM1.
- I find myself shooting a little too much material because the EM5 is so easy to use. Its size and weight make it ideal for hand-held work but that means I am not slowing down sufficiently. If I were shooting on on a tripod I would be slower and I suspect my work would appear more considered. As it is, I think I am producing more but lower quality work.
- You may be thinking have read point 2 above “why doesn’t he just put the camera on a tripod?” The answer is my third limitation – this isn’t a good tripod camera. It just feels too small when tripod mounted. It may just be psychological but I want my camera to feel natural when shooting both hand held and tripod mounted. The EM5 doesn’t do that for me.
My solution to the above points was to buy the two part optional grip for the EM5. This has made a tremendous difference to the feel of the camera. Initially I thought I would just use the first part of the grip which adds another release button and extends the body forwards. Having experimented further, I find that I prefer using both grips (the other part adding a battery pack and extending the camera downwards) when using a tripod. When I shoot handheld I like to remove the battery pack part of the grip.
Now, I have also been toying with a separate problem. I like to produce multi shot panoramic images which I later stitch together in software. I don’t however like the extra weight created by my panoramic head; it’s bulky, very heavy and slow to set up.
What a panoramic head does is to mount the camera so that it rotates around the nodal point of the lens, making stitching much easier because there is no parallax error. Providing however that you don’t use a very wide angle lens (or include the foreground), you can get away with mounting the lens over the centre of the tripod and dispense with the panoramic head.
Unfortunately, the above scenario limits the height and/or quality of the final panoramic as you can only shoot with the camera in a horizontal orientation. Try to flip the camera through 90 degrees using the tripod head and it no-longer rotates around the lens. This proves quite a problem for most stitching software.
My new solution to this problem is to mount the camera on an L-shaped bracket that allows me to set the camera on the tripod in either a horizontal or vertical orientation. In either configuration the centre of the lens is directly over the tripod and it makes switching between the two a snap. The bracket I have chosen is from Novoflex and is very light. You can see it in the following shot.
The nice thing about this set up is that it feels substantial for tripod work yet its very light to carry. Better still, I can easily separate the two grips by using the locking wheel on the back of the camera. This leaves the hand grip in place on the camera (ideal) and provides an easy way to reattaching the camera to the bracket when I want to work on a tripod.
At the moment I love this set up and the flexibility it gives me. I will however report back in the future once I used it for some serious landscape work.