Sony RX10 – Is now the time to buy

Posted on Updated on

The sea in Cornwall has a wonderul colour and the Sony RX10 captures this perfectly.
The sea in Cornwall has a wonderul colour and the Sony RX10 captures this perfectly.

I just received an email from WEX Photographic saying that I can pre-order the RX10 MKII. Whilst they don’t list the release date, it must be soon. The price is just short of £1,200 and browsing the spec, the thing that hits me is that it seems quite similar to the current RX10 model. Sure it shoots 4K video but I suspect the image quality is similar to the RX10 and that, as a landscape photographer is what I’m interested in.

I love the RX10 but I won’t be trading it for the MKII. In fact checking the prices on Amazon I can see that I can pick up the current model for just under £600 which is a 50% reduction on the new release. If all your interested in is still photography and you have been thinking about buying an RX10, now might be the time to keep an eye open for a great deal. I’m even tempted to buy a second one and convert it to Infrared.

How Much Depth of Field

Posted on

Hale, Cornwall. Sony RX10, ISO80, f/5.6, 1/50".
Hale, Cornwall. Sony RX10, ISO80, f/5.6, 1/50″.

Last week I took a well-deserved break (at least in my eyes) and went on holiday to Cornwall. Whilst away I took this photo that I wanted to share with you. The reason for sharing is not that this is a great Landscape image (I have a much better one taken at sunset rather than on an overcast day, that I will share soon). No the reason for sharing this is that it illustrates just how much depth of field can be achieved with smaller sensor cameras.

This image was taken using a Sony RX10 which has a 1” sensor. This is slightly smaller than the micro 43 sensors but somehow Sony has managed to cram 20Mpixels onto it. If you were looking at the print of this scene you would say that the image was in focus from the foreground to the background. It’s only when you view the image at 100% magnification on the screen that you see the distant lighthouse is very slightly outside the depth of field but is still acceptably sharp. Also the flowers nearest to the camera (literally inches from the camera) are out of focus but again this isn’t objectionable. Interestingly you don’t notice either of these points on the print as the image appears very natural.

What really makes you stop and think though is that the Aperture used to achieve this is f/5.6. The trick to this if there is one, is where you place the point of focus. Here I was focussing on the hillside just beyond the foreground flowers (probably around 10 feet from the camera. Had I tried to get all the flowers in perfect focus I would have lost the distant lighthouse. This compromise appears to work very well.

I hope this gives you food for thought about depth of field and needing to use very small apertures.

The RX10 is winning me over by osmosis

Posted on

Sony RX10 in the Peak District, 62mm, ISO80, 1/50", f/5.6
Sony RX10 in the Peak District, 62mm, ISO80, 1/50″, f/5.6

I’ve had the RX10 for around 14 months now so I should be in a position to say if it’s a good camera or not. Had you asked me this question 12 months ago I would probably have said (if I was being totally truthful) that it was a bit of a letdown.

You see my expectations were way too high having previously owned a Sony R1. The reason I expected so much was that the R1 had an amazing lens and the RX10 looked pretty much identical. It’s a huge Zeiss lens with a tiny sensor bolted to the back and a bit of a grip to hold on to. It won’t win any awards for being beautiful but it certainly feels good in the hands.

Part of the reason I felt let down also was that the EM5 produces such sharp, crisp, detailed images. I had dearly wanted the RX10 to produce the same “quality” but it doesn’t. It also has corners that are a little distorted and soft in comparison. What I had failed to realise and what only dawned on me when I bought the Nikon D800 is that most cameras suffer from this. In fact the RX10 is a very good performer, it’s just different. In fact, I’m now really quite pleased with the image quality I am able to achieve. The images make lovely prints all the way up to A2 (I haven’t tried anything larger).

But it’s not the image quality that I like, it’s the handling. It’s very easy and intuitive to use. I like the aperture ring on the body of the lens (isn’t this something we had on all lenses at one time). I also like the huge zoom range from 24mm to 200mm and the fast f/2.8 constant maximum aperture. It even has a great battery life.

In all, this is a very impressive camera and great when you don’t want to carry around multiple lenses. I am starting to find myself reaching for this camera more and more, especially when I am out walking.

Sony RX10 Problem and Frustration

Posted on

Sony RX10, f/5.0, 1/100" at ISO80
Sony RX10, f/5.0, 1/100″ at ISO80
Sony RX10, ISO80, f/5.0, 1/125"
Sony RX10, ISO80, f/5.0, 1/125″

Regular readers of this blog may have noticed that I didn’t post the usual Friday Image on Friday. My apologies for this but I am still battling with too much to do and too little time. I have fallen some way behind in responding to emails and queries as the numbers have shot up recently. I love replying to everyone but it takes time.

Anyway, I set out on a walk in the Peak District today with a camera. I was going to take the new G16 but in the end I went for the RX10. I really do love this camera but it’s been somewhat of a frustrating relationship. My first ever outing found that the white writing around the edge of the lens reflected onto my filters when the sun was at certain angles. The other major frustration I have is that the image stabilisation is poor. Sometimes I find myself keep checking if it is actually on.

It’s very easy to find the shutter speed has dropped below 1/25″ as I like to shoot at the base ISO of 80. I find that 1/25″ is pretty much as slow as I can risk, even at the wide end of the focal range (the camera has a 24-200mm f/2.8 constant lens). Below this and camera shake is evident and ruins pretty much every shot unless you are lucky. That’s one of the problems with a sharp lens, you notice the smallest of movement.

More recently I have become attuned to this problem and now push the ISO to 200 or 400. This goes against the grain with me as I always want to shoot at the lowest ISO and I hate noise. But you know what, even at ISO400 you can barely notice it and the image quality is that much better.

So this has been a bit of me rambling (pun intended) to tell you that the RX10 is one of the most enjoyable cameras I have and the one that I increasingly turn to when I just want to walk and can’t be bothered with different lenses.

The Bleak Weather Returns

Posted on

Sony RX10 - ISO80, 1/80" at f/5.6. 2 stop ND Grad filter on the sky.
Sony RX10 – ISO80, 1/80″ at f/5.6. 2 stop ND Grad filter on the sky.

I was out walking yesterday in the Lakes – what a mistake. The weather was dreadful. It was windy, foggy and the rain was driving down hard. Despite this I managed to pull out the Sony RX10 and rattled off a few frames. I quite like the one above as I think it conveys well just how poor the weather was.

New Website Call

I’m also going to be taking some time out shortly to build my new Lenscraft website. I know that quite a few people who read the Lightweight Photography blog are members of Lenscraft so I would like to publicise an offer. If you are a Lenscraft member, have your own website and would like me to add a link in the “Members Sites” section, email your details to me at I just need your name and a link to your site. Obviously feel free to return the link but there is no requirement.

My most disappointing camera is…

Posted on Updated on

The hills and moors above Dovestones in Saddleworth
The hills and moors above Dovestones in Saddleworth

I should actually say my most disappointing camera was because there has been some remarkable changes with it. But first you need to hear a story to understand my disappointment.

Back in 2009 I purchased a Sony R1. For those of you don’t know, the R1 was a bridge camera with a fixed lens that was the size of a small DSLR at the time. It was very expensive new and had quickly lost favour with the general public. It was quite a weight really due in part to the huge lens. This was a 24-120mm lens made by Zeiss which was razor sharp. The 10Mpx sensor was the same one as used in some of the Nikon DSLRs at the time and was good at ISO 200 (base ISO) but quickly became noisy. The camera also lacked image stabilisation.

Despite its limitations the camera was a joy to use and produced amazing images. There are many fine art photographers who used this camera at the time and indeed I sold mine to one in 2011. Despite loving this camera I had become convinced that the Sony NEX5 was going to be a direct replacement for it but much smaller. Needless to say it wasn’t and I ended up switching to Micro 43, which I’m very pleased I did.

Roll forwards to December of last year and Sony launch the RX10. I didn’t pay much attention at the time based on past experience but then I say a picture of the RX10. It was clear that it was a reworked R1 with the same huge Zeiss lens. I did have some reservations about the 1″ sensor but already owning the RX100 I knew the sensor was quite capable. I purchased one immediately having traded in a very poor Panasonic 14-140mm lens.

The new RX10 was everything I wanted it to be. It reminded me so much of the R1 but improved. It handled well and meant no more lens switching. The lens range was now improved to 24-200mm with a fast f/2.8 constant aperture. I was so pleased.

But then came the let down. On paper this camera should perform brilliantly but when I processed the RAW files I couldn’t attain the sort of legendary image quality as the R1. At the time I was comparing this to the Olympus EM5 which is my main workhorse camera. The RX10 just seemed a bit, well soft in comparison. I tried all sorts, even convincing myself that the files were good enough. Once or twice I even came close to selling the camera had it not been for the excellent handling and convenience. In the end it was relegated to be my walking camera.

I hope you can now understand my disappointment.

Then to surprise recently I decided to open some of the RX10 RAW files in CaptureOne 8 (more on this some other time). The results were excellent. Image quality was not as “crisp” as the EM5 but then the images appeared more natural. The colours were also amazing.

At this time I also decided to update the firmware in the Sony as it was version 1.0 and version 2.0 was now available. Whilst the firmware talks about improvements to video, I’m sure they have done something to the focusing and image stabilisation. The camera now handles much better and I am getting much less shake than previously.

Over the past couple of weeks I have made a number of A2 prints from the RX10 files and they are really nice. There is a good feeling of depth to the images and they don’t feel so crisp that they appear unnatural.

In summary, a camera that was often left at home as it was disappointing has turned into one that I am happy to use and pleased to have purchased.

Friday image No.035

Posted on Updated on

The Moors near Saddleworth. Sony RX10
The Moors near Saddleworth. Sony RX10

The moors near where I live can be a rather bleak and unforgiving place. It’s not really a landscape that attracts photographers and you don’t often if ever see images of it in magazines. Despite this I often walk in the area with my camera so on the odd occasion that an image looks even half good it makes me happy. Here is one such recent image captured on my Sony RX10. I love the colourful golden grass in this scene and the way the contours of the land snake off into the distance.

I hope you like it and have a great weekend.