sea

Beautiful Evening Light in Whitby

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Whitby Pier at sunset. Canon 5D MKII, 24-105mm Lens.
Whitby Pier at sunset. Canon 5D MKII, 24-105mm Lens.

I don’t know about you but my photo storage is a bit of a mess. I do like to keep each shoot in a separate dated folder and then import these to Lightroom. But sometimes something goes wrong. A few months back I suffered a Lightroom Catalogue crash and I lost a lot of work. I thought I had recovered everything but it turns out that I hadn’t.

Today I found some folders that I hadn’t re-imported so I had a quick look through the images. Here’s one that I like and thought I would share. It’s a sunset shot taken at Whitby, North Yorkshire in April last year. There wasn’t very much cloud in the sky but the atmosphere picked up the colours from the sun quite well. The low sun has also coloured the pier quite nicely with the low light levels allowed me to use a slow shutter speed (with the help of a Neutral Density filter).

I love looking through old images that I had forgotten about.

Friday image No.030

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Olympus EM5 with Panasonic 45-150mm lens.
Olympus EM5 with Panasonic 45-150mm lens.

Sometimes I’m guilty of trying to create images with too much drama. I need to remind myself that simple can be beautiful and not every image needs a sunset.

The was shot in the early afternoon, just off the point at the Lizard in Cornwall. Please don’t ask where the pink atmospherics came from, I have no idea. But I’m very pleased they are there. I now want another holiday.

Have a great weekend everyone.

Friday image No.025

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Sea, clouds and a few small wind turbines in the Irish Sea. Captured with the Olympus OMD EM5 with post processing in Nik Analog Efex
Sea, clouds and a few small wind turbines in the Irish Sea. Captured with the Olympus OMD EM5 with post processing in Nik Analog Efex

Another image with a sea theme. This was from my trip a few weeks back to the Lake District. On the way I had a stroll up Black Combe from which you can see the largest offshore wind farm in the world (at least that’s what it said on the BBC news). If you look carefully in the light area you can just about make out a few of the wind turbines.

Post processing was in the new Nik Analog Efex which is fast becoming one of my favourite creative filters for artistic and old camera effects.

Have a great weekend everyone.

Friday image No.024

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Blue Haze - Captured on an Olympus Em5 with Panasonic 45-150 lens.
Blue Haze – Captured on an Olympus Em5 with Panasonic 45-150 lens.

This week’s Friday image is another from my recent holiday. I call this one Blue Haze but not for obvious reasons. I just happened to be stood looking out to sea, admiring the view and thinking the house I was outside had a priceless view (this one). The name of the house? You guessed it, Blue Haze.

Have a great weekend everyone.

Friday Image No. 023

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Olympus EM5 + 0.3 ND Grad filter
Olympus EM5 + Panasonic 14-45mm + 0.3 ND Grad filter. Click the image to see the larger version.

After a short break last week I wanted to share a new Friday Image. This was taken just over a week ago in Cornwall. We went down to St Ives which is a lovely Cornish village if you have never had the opportunity to visit. The light there is amazing and some of the atmospheric effects at sunset can be spectacular.

Have a great weekend everyone.


Update 18/08/14

Someone recently sent me a link to a competition. I don’t normally enter these but thought I would give it a shot seeing as how one of my favourite subjects is the sea. Here is the link for anyone out there who is interested in trying their hand also. The compertition is being run by Cruise.co.uk

http://www.cruise.co.uk/blog/depths-of-perception-ocean-waves-photoblog-competition/

There are also some cracking pictures on the judges site so well worth a look.

 

Quality costs but it also pays

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Olympus EM5 with 14-45mm lens. Lee Seven 5 0.9ND Graduated filter. Post processing with Nik Color Efex and Viveza. f/11 at ISO200 for 1/13" handheld.
Olympus EM5 with 14-45mm lens. Lee Seven 5 0.9ND Graduated filter. Post processing with Nik Color Efex and Viveza. f/11 at ISO200 for 1/13″ handheld.

Looking back some 3 to 4 years, I was a devoted user of Lee Filters although they were far from perfect. I didn’t think the quality was great and I can point to examples of colour shifts in my work. When I moved to Micro 43 I found the Lee 100mm filters were too large so I switched to using Hi-Tech 85mm filters and then more recently the Hi-Tech 67mm.

I was very pleased with the Hi-Tech filters and they were also much better value than the Lee equivalent. That was at least until I purchased the Sony RX10. When I use the 85mm Hi-Tech filters with this camera (the 67mm filters vignette badly) I find the sky takes on a purple tint. I can correct this in Lightroom using the grad tool but it’s annoying. What’s interesting is that this isn’t a noticeable problem when I use the filters with the Olympus EM5.

Now enter the GM1 and I found a similar problem was now occurring with the 67mm Hi-Tech filters. It’s not as strong an effect as the 85mm filters on the Sony but I can still notice it. Again, the effect isn’t noticeable when using the filters with the Olympus EM5.

It was this small but very frustrating tint that has taken me back to the Lee filters. I decided to bite the bullet and invest in the Lee Seven 5 filters, and I’m so pleased that I have. These filters and holders are very well made indeed. Best of all there is no discernible colour shift on any of the cameras I use. What really hit home for me was when I used the 0.9 Grad for this image and found the effect to be perfectly natural. If there was going to be a colour shift it would be with this filter but the results are excellent.

If you are thinking of investing in the Lee Seven 5, my view is that the expense is well worth it.

It’s Light That Matters

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Light at sea. Olympus EM5
Light at sea. Olympus EM5

You will no doubt have heard the advice before, but it’s too easy to forget. We shouldn’t be taking photographs of objects but of the light. It’s the light that illuminates the object, that makes it attractive, captivating or simply ugly. You need to take control of the light to create a great image, but if you can’t, you need to select a subject to suit the light.

I recently went for a walk up Black Combe which rises some 600m from the sea. I was expecting some great landscape views but nothing caught my eye because the light was wrong. Where the light was right is out to sea where there was no shape of form to speak of, just wonderful shafts of light breaking through the cloud. It reminded me of a painting.

So remember, it’s the light that’s critical to great photography.