Landscape Photography

Friday image No.037

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Nikon D800, 18-35 Nikkor lens, f/16.0 for 0.625" at ISO100
Penmon Lighthouse. Nikon D800, 18-35 Nikkor lens, f/16.0 for 0.625″ at ISO100

Here’s a recent one from the Nikon D800. After a few trips I finally seem to be working better with the D800 and more of my images are in focus and sharp. I’m shooting with the camera set to 14bit mode rather than the usual 12bit and the colours seem to be responding well during the RAW file conversions. I will of course have more to say in the near future on the D800 and will be comparing it to the Olympus EM5 and Sony RX10.

Now over the next couple of weeks I’m going to go a little silent on you all and won’t be posting. I need to dedicate some time to getting the new Lenscraft website up and running. I hope to have this finished by the end of October but I need to spend some dedicated time. This isn’t just a new website but an entire move of platform.

I hope you like the image, have a great weekend and I’ll be back online around the end of the month.

Friday image No.036

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RWhalley_5D_2011_IMG_1252_50_18_2.5

Isn’t it strange how your taste in photography seems to change. I shot this image just over three years ago. I recall considering this a poor trip at the time as I didn’t really come back with any “high octane” dramatic shots. What I did get was quite a lot of nice, tranquil scenes which I relegated to a folder on my hard drive and promptly forgot about.

Last week I was clearing out some images in order to start work on my new website (coming soon). That’s when I saw this image and wondered why I hadn’t bothered very much with it. Now that I look at it, I really like the scene and the colours.

I hope you like it and have a great weekend.

Friday image No.035

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The Moors near Saddleworth. Sony RX10
The Moors near Saddleworth. Sony RX10

The moors near where I live can be a rather bleak and unforgiving place. It’s not really a landscape that attracts photographers and you don’t often if ever see images of it in magazines. Despite this I often walk in the area with my camera so on the odd occasion that an image looks even half good it makes me happy. Here is one such recent image captured on my Sony RX10. I love the colourful golden grass in this scene and the way the contours of the land snake off into the distance.

I hope you like it and have a great weekend.

Beautiful Evening Light in Whitby

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Whitby Pier at sunset. Canon 5D MKII, 24-105mm Lens.
Whitby Pier at sunset. Canon 5D MKII, 24-105mm Lens.

I don’t know about you but my photo storage is a bit of a mess. I do like to keep each shoot in a separate dated folder and then import these to Lightroom. But sometimes something goes wrong. A few months back I suffered a Lightroom Catalogue crash and I lost a lot of work. I thought I had recovered everything but it turns out that I hadn’t.

Today I found some folders that I hadn’t re-imported so I had a quick look through the images. Here’s one that I like and thought I would share. It’s a sunset shot taken at Whitby, North Yorkshire in April last year. There wasn’t very much cloud in the sky but the atmosphere picked up the colours from the sun quite well. The low sun has also coloured the pier quite nicely with the low light levels allowed me to use a slow shutter speed (with the help of a Neutral Density filter).

I love looking through old images that I had forgotten about.

Another Example of False Infrared Colour

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GX1 Infrared image converted with a red blue channel swap to create a false colour
GX1 Infrared image converted with a red blue channel swap to create a false colour

In my last post I shared an example of the false infrared colour technique and explained how it was achieved. I also confessed that in general I don’t like the effect, although in some cases it does work well. I thought it would be good to share another example that I think works reasonably well (although not as well as the previous post)  although I will admit that I still prefer the traditional black and white conversion.

This example is a little more stylised than the previous image and was created by first converting the image to colour before applying a Fuji Provia Slide Film simulation in Exposure 6. This was then further edited with a boost to the Vibrancy slider and a negative Clarity to give the soft effect. My reasoning for these adjustments was to prepare the image for conversion to black and white but I found I quite liked the colour image.

When converting the images with the Channel Mixer it can seem a bit hit and miss. It appears to help if you have both sky and foliage in the image. With a Red/Blue channel swap such as shown here the sky will turn blue and the foliage will go red. Most other areas (in landscapes) tend not to be affected.

You can improve the results by picking a white balance point during RAW conversion which causes the foliage to take on a blue tint. Typically this will leave the sky with some red tint and when the channel swap is made with the channel mixer the red tint in the sky turns blue and the blue tint of the foliage turns red.

Also try to avoid images which have been shot in the shade (such as tree lined country lanes) as you won’t get such a good effect. You really need direct and strong sun to make this work well.

Hope this helps anyone who is also struggling with Infrared false colour.

Infrared conversion from my GX1 Infrared camera
Infrared conversion from my GX1 Infrared camera

False Colour Conversion in Infrared Photography

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False colour infrared using Infrared converted Panasonic GX1
False colour infrared using Infrared converted Panasonic GX1

Before I get into the details of this post I need to point out that I’m not a fan of the false colour effect in infrared. That said I do quite like the look of the image above. I realise this is a personal choice and you may or may not like the effect. Despite not liking this effect (other than the odd image) I continue to use the technique as I find it often helps in the conversions to black and white. The increased colour seems to make it easier to separate objects in black and white .

The starting point for the conversion is an infrared image that has been correctly white balanced. You can see the starting point below.

Correct white balance
Correct white balance

As I have mentioned previously in this blog, getting the white balance correct in Lightroom and Adobe Camera RAW can be problematic. Here is an example of the image as seen in Lightroom despite using the correct custom white balance.

How Lightroom sees the custom white balance
How Lightroom sees the custom white balance

I have now found out how to correct this and will post something separately on the subject.

Once you have your image white balanced, take it into Photoshop. Here we will do something called a channel swap between the red and blue channels using the Channel Mixer. You can see a screenshot of the channel mixer below.

Channel Mixer in Photoshop
Channel Mixer in Photoshop

In case you are wondering there isn’t a cannel mixer in Lightroom or Elements.

First select the Red channel in the channel mixer. You will notice the red slider is at 100% and the other two sliders are at 0%. Change these sliders so that the blue channel is at 100% and the others are at 0%.

Now repeat this process selecting the blue channel. This time set the blue slider to 0% and the red slider to 100%. The channel swap is now complete and you will see an effect similar to that above.

You can also swap any two channels and are not restricted to the red and blue. The red and blue channels tend to produce the best results though.

Now as I mentioned at the start of this post, I use this technique to support conversion to black and white. With that in mind, here is the final image back and white image. Let me know which image you prefer.

Final infrared conversion
Final infrared conversion

In Memory of Velvia

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Wastwater in the Lake District. Captured on a Sony R1. Processed with Alien Skin Exposure 6.
Wastwater in the Lake District. Captured on a Sony R1. Processed with Alien Skin Exposure 6.

Do you remember Velvia slide film? I used to shoot this stuff all the time. It was horribly contrasty and a pig to scan. It was however the best colour slide film for Landscapes (possibly) and pre digital, all the pro’s in the UK would rave about it.

So why am I telling you all this given digital’s “better”? I just happened to be playing around with this old image shot an a Sony R1, trying different settings in Alien Skin Exposure 6. I was actually looking at the Infrared film simulations but then thought I would check some of the colour slide settings. As soon as I hit the Velvia preset I was transported back in time.

I have to be honest though. The version you see here was toned down a little as I don’t think all you digital users are ready for full on exposure (pun intended) to Velvia. If you haven’t looked at Alien Skin Exposure it’s worth trying the free download.

http://www.alienskin.com/exposure/

It’s a great piece of software and no I’m not making any money out of sharing this.

Another Drought

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Low water in the reservoir. Sony RX10. See text for details.
Low water in the reservoir. Sony RX10. See text for details.

I had intended to get out yesterday for a long walk (about 20 miles) as I find it helps to clear my mind. In the end the 24 hours of torrential rain and quite severe thunder storms put an end to my hopes.

Today was much better though and despite not having the time for a 20 mile hike I did manage a drive over to the Peak district and a clocked up 12 miles over the hills.

The first thing that struck me when I arrived was how low the water level was in the reservoirs. Above is one of the images I shot with the Sony RX10 and it makes me wonder if we are heading for another drought with all the nice weather we have been having.

As a side note for those of you wondering about my use of the RX10, I have tended not to use it much as I don’t find the images anywhere near as crisp and sharp as my Micro 43 cameras. Despite that the camera has a lovely feel and is a joy to use.

For this particular image I didn’t use the usual Nik sharpening tools but opted for Focal Blade. This is an excellent although quite complex sharpening filter which I have been using on and off for a number of years. I don’t know why but it appears to achieve better results than Nik Sharpener Pro with the Sony images.

The other thing I did was apply Contrast Master which is a contrast adjustment tool from the same people who produce Focal Blade (PhotoWiz). I was reasoning that the images from the Sony seem to lack contrast and pop which is easily corrected in Contrast master. Having just printed this image at A3+, the detail is excellent. It also has a very nice quality to it, very much like film.

I just thought I should try adding some grain and making another print. I’m off to experiment…

Friday image No.026

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St Ives sunset. Olympus EM5 with post processing in Nik Color Efex and Viveza.
St Ives sunset. Olympus EM5 with post processing in Nik Color Efex and Viveza.

The day has just run away with me again. It’s now 10:15pm UK time and I realise that I haven’t posted my Friday image. I have been hard at it since 07:00am and I’m tired. I have therefore turned to a traditional coastal landscape image from my recent holiday (which now seems a very distant memory) to cheer myself up. I hope you enjoy.

Have a great weekend everyone.

Friday image No.025

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Sea, clouds and a few small wind turbines in the Irish Sea. Captured with the Olympus OMD EM5 with post processing in Nik Analog Efex
Sea, clouds and a few small wind turbines in the Irish Sea. Captured with the Olympus OMD EM5 with post processing in Nik Analog Efex

Another image with a sea theme. This was from my trip a few weeks back to the Lake District. On the way I had a stroll up Black Combe from which you can see the largest offshore wind farm in the world (at least that’s what it said on the BBC news). If you look carefully in the light area you can just about make out a few of the wind turbines.

Post processing was in the new Nik Analog Efex which is fast becoming one of my favourite creative filters for artistic and old camera effects.

Have a great weekend everyone.