emotion

More Emotional Impact in Photography

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Does this image trigger any emotional memories for you or does it leave you blank ad wondering what it's about?
Does this image trigger any emotional memories for you or does it leave you blank ad wondering what it’s about?

I have posted a few blogs now talking about creating emotional impact in photographs. The subject is something I find absolutely fascinating but it’s also a double edged sword. You see each person’s background and experiences will dictate to a large extent what triggers an emotion. There are of course some things we are all hard wired to respond to such as a kind smile, but in general it’s our past experience that we link to with emotional triggers. The double edged sword I mention is that whilst these emotional triggers can create very powerful photography they can equally fail to have any impact, leaving the viewer wondering what the image is about.

So what sort of things can trigger an emotion?

There is the subject matter – examples might be a cute image of a baby or it may be an image of a subject that triggers nostalgic feelings. If you are from the UK you might instantly start to date the image above in your mind, possibly linking it with hardship or good times. But if you are from another country you might not understand the image at all; it could be meaningless to you.

Colours can trigger feeling such as blue making us feel cold and reds are warm. But it goes beyond this as certain combinations of colour used when toning an image can trigger feelings. Some pastel shades are particularly helpful in this respect and if you look carefully you will find this used in lots of advertising materials. Ever wondered why cupcake packaging all follows a similar theme.

Some special effects such as a simulated light leak or film scratches or film grain can all trigger emotional memory (even if you never shot film). This is possibly why some of the software packages that simulate film have become so popular in recent years.

Light can trigger emotional feelings as in the following image. This small out of focus image of light reflecting on water triggers a very strong emotion in some people that reminds them of lazy summer days spent relaxing, possibly in their childhood. Personally I love it even though it’s of nothing in particular; it may not do anything for you.

Light reflecting on the sea, but deliberately out of focus
Light reflecting on the sea, but deliberately out of focus

Why do I keep talking about this? Because I think it’s a route to creating more compelling, powerful images. If we can identify different ways of triggering peoples emotional memory we can create more striking, enjoyable and enduring images.

Emotional Challenge 2

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Processing in Nik Analog Efex 2
Processing in Lightroom,  Photoshop and Nik Analog Efex 2

Recently I posted a blog entitled Emotional Challenge where I spoke about my recent interest in the emotional aspect of photography and how we could create images that had more emotional impact. As an initial example I posted the image of a seagull flying over the sea. Now some of your reading this will be relating the image of the seagull to seaside holidays, perhaps recalling childhood memories. Others though may have an entirely different perspective of the image.

If you are not from a climate where the seagull is a common sight on the coast you may not have any emotional memory to attach to the image. Instead you may see a huge open stretch of water with a bird gliding graceful over it and flying off into the distance. For you the emotional message in the image is one of freedom.

Today I have posted a few variants of the image that are also intended to add further layers of emotion, using various tricks or rather emotional triggers.

The first variant below has cropped the image to a square format. Whilst this possibly doesn’t give as dynamic a composition as the standard rectangular image, it is none the less a trigger. Some people will associate the square format with older cameras. The other change in this example was the vintage effect. Here lighting and colouring have been used to create the impression of older photography. All these changes were achieved quite quickly in Lightroom using the crop tool and a few gradients.

Processing in Lightroom
Processing in Lightroom only

The next example is a little more complex. This takes the Lightroom conversion and applies effects using Nik Analog Efex 2 (which is a recent release). The effects here are light and colour adjustments, blur, vignette, dust and an edge effect similar to the old Polaroid film.

Old film effects in Nik Analog Efex 2 only
Old film effects in Nik Analog Efex 2 only

In the next two examples the results of the Nik Analog Efex filter have been added as a layer in Photoshop to the Original Lightroom image. The blending mode has then been changed on the Nik layer. In the first of the two the blending mode is set to Soft Light.

Lightroom and Nik versions blended in Photoshop using Soft Light mode
Lightroom and Nik versions blended in Photoshop using Soft Light mode

In this second image the blending mode is set to Overlay.

Processing in Nik Analog Efex 2
Lightroom and Nik versions blended in Photoshop using Overlay mode

All these images are likely to mean different things to different people but all are likely to have an effect. If we can isolate the emotional triggers from great images and then learn how to recreate these in our own work, our photography will improve. But this carries two significant dangers. Firstly people are likely to either love or hate your work. Secondly your work can become a cliché and the effects boring.

I never said it was easy.

Emotional Challenge

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What does this image say to you? Olympus EM5 + 45-150mm Panasonic lens.
What does this image say to you? Olympus EM5 + 45-150mm Panasonic lens.

Recently, besides buying lots of new equipment, I have become interested in the challenge of introducing emotion into photography. With some photography (mainly involving people) it tends to be a little easier. You can catch that moment of joy or the look in a subjects eye but with landscapes it becomes a little more difficult. Sure you can show wonderful, breathtaking scenes but this doesn’t always translate into an emotional element.

What I want to achieve are images that evoke an emotional response or a feeling of nostalgia. The only tools I have to do this are my camera, choice of composition and post processing “effects”. This is probably a worthy challenge to set myself and one that I don’t yet know how to achieve. It’s also going to be made more difficult as not everyone will see the same or respond in the same way to the same image.

Above is a simple image which is not much different than how it came out of the camera. I think it has potential through the composition and subject matter to evoke emotion. I suspect with more processing it could achieve a stronger impact.

What do you think?