Do you remember Velvia slide film? I used to shoot this stuff all the time. It was horribly contrasty and a pig to scan. It was however the best colour slide film for Landscapes (possibly) and pre digital, all the pro’s in the UK would rave about it.
So why am I telling you all this given digital’s “better”? I just happened to be playing around with this old image shot an a Sony R1, trying different settings in Alien Skin Exposure 6. I was actually looking at the Infrared film simulations but then thought I would check some of the colour slide settings. As soon as I hit the Velvia preset I was transported back in time.
I have to be honest though. The version you see here was toned down a little as I don’t think all you digital users are ready for full on exposure (pun intended) to Velvia. If you haven’t looked at Alien Skin Exposure it’s worth trying the free download.
It’s a great piece of software and no I’m not making any money out of sharing this.
I had intended to get out yesterday for a long walk (about 20 miles) as I find it helps to clear my mind. In the end the 24 hours of torrential rain and quite severe thunder storms put an end to my hopes.
Today was much better though and despite not having the time for a 20 mile hike I did manage a drive over to the Peak district and a clocked up 12 miles over the hills.
The first thing that struck me when I arrived was how low the water level was in the reservoirs. Above is one of the images I shot with the Sony RX10 and it makes me wonder if we are heading for another drought with all the nice weather we have been having.
As a side note for those of you wondering about my use of the RX10, I have tended not to use it much as I don’t find the images anywhere near as crisp and sharp as my Micro 43 cameras. Despite that the camera has a lovely feel and is a joy to use.
For this particular image I didn’t use the usual Nik sharpening tools but opted for Focal Blade. This is an excellent although quite complex sharpening filter which I have been using on and off for a number of years. I don’t know why but it appears to achieve better results than Nik Sharpener Pro with the Sony images.
The other thing I did was apply Contrast Master which is a contrast adjustment tool from the same people who produce Focal Blade (PhotoWiz). I was reasoning that the images from the Sony seem to lack contrast and pop which is easily corrected in Contrast master. Having just printed this image at A3+, the detail is excellent. It also has a very nice quality to it, very much like film.
I just thought I should try adding some grain and making another print. I’m off to experiment…
This week has just run away with me again. I think the problem (besides too much work and my mum still being ill) is that I love to experiment. I have just spent the last hour developing some Lightroom film-like presets. So I decided to save some time and share a recent image processed with one of the presets – no other adjustments, just a Lightroom preset.
Have a great weekend everyone.
I have some good news for all you Lightroom users who own a Panasonic GM1. You can now download for free my custom camera profile at my Lenscraft website. This profile works with Lightroom and can be used instead of the “Adobe Standard” profile.
Once installed you can select the profile in the Develop Module under the Calibration section.
In order to access the profile you will need to be working on a RAW file shot with a Panasonic GM1. If you are editing a TIFF or JPEG file you will see “Embedded Profile” in the Calibration section. If you are editing a RAW file and can’t see the profile you have either:
- Installed it to the incorrect location
- You need to restart Lightroom (following the installation)
- You are working on a RAW file that isn’t from a GM1
After I posted this black and white image taken from near the summit of Great Gable in the English Lake District a number of you wanted to know what the starting image looked like. Well here is it.
Looks great eh and you can immediately see how I turned it into the finished version above (only joking). If you can’t and want to know how I achieved the conversion, take yourself over to my Lenscraft website and register as a member – don’t worry it’s free. This entire conversion will be detailed in Summer 14 newsletter which I will be publishing shortly. Members receive an email notification when the newsletters published. You can also be sure that I won’t spam you as I HATE spam email.
With it being a Bank Holiday in the UK today and for once the weather not being terrible, I went for a walk. I like quite near to the Peak District National Park but for some reason I seldom visit. Today I decided I wanted a good walk in the hills so drove over to Ladybower reservoir which is about 50 minutes from my house.
When I first became interested in photography I remember seeing some old images of the dam at Ladybower and I thought these images were wonderful. The Victorians certainly knew how to engineer wonderful structures but the age of the images also made these more appealing.
I recall visiting the area about 10 years ago in the hope of being able to recreate these wonderful images but it wasn’t to be. Today I was able to create something that I quite liked using my Infrared camera. But it wasn’t until I took the image into Nik Analog Efex and applied a little emotion that the image came to life. Trying to create an image such as the one above was almost impossible for me 10 years ago but today it took minutes.
I wonder what photography will be like in another 10 years.
It’s funny how the same questions keep coming up in photography and this is one of them. Which is the better camera the RX100 or the LX5/LX7? I see people arguing on forums, it comes up as a search term in the traffic stats for this sight and I even receive emails asking this. I thought therefore it would be good to post a blog on the subject as I can understand people’s confusion.
At the outset I should say that I have owned all three of these cameras and currently still own the RX100 and LX7. Initially I had purchased the LX5 some 3 years back and was delighted by its performance. My only niggle was that I wanted more megapixels. When the RX100 came out I purchased that also and in time found I was using my LX5 less and less, so I sold it. Just before Christmas this year I found myself buying an LX7 as I was missing the LX5 and finding weak spots in the RX100 performance (but more on that shortly).
The first important point is to realise that you can’t expect to compare cameras based on specification alone. If it were that simple we would all be buying the same cameras (providing we could afford them). Buying a camera is a personal thing so you need to understand what is motivating you to make a purchase and what your expectations are. Most people overlook this point and as a result waste money, often being disappointed in the results.
What follows is my comparison using the points that are important to me. What’s important to you may be considerably different.
Wide angle lens – Ideally I want a 24mm equivalent lens at the wide angle. Both the LX5 and LX7 have this but the RX100 is 28mm. It may not sound like much but it is if you shoot landscapes. For me though this isn’t a deal breaker, but it is important and something I find frustraiting when using the RX100.
Long lens capability – Ideally I want 150mm at the long end of the lens or more. The LX5 and LX7 have a long end of 90mm and the RX100 of 110mm (I think). In practice there is little difference and neither gives me what I want here in order to be truly versatile. Again though, this isn’t a deal breaker.
Lens quality – I want a lens that is sharp from corner to corner and displays little chromatic aberration. Detail should be well resolved and appear nice and crisp in the final image. If I chose to resize the image I want to have confidence the image will look good. Both the LX5 and LX7 have great lenses and produce corner to corner sharpness. I would say if pressed that the LX5 lens on the camera I sold was better than the LX7 I now have, but it’s marginal. The RX100 lens is great in the centre but the corners are soft at the wide end and it drives me mad. Also, under some conditions the corners of images from the RX100 can also take on a red tint. These “features” may not worry you but I find them very irritating.
Image quality – This means the ability to shoot RAW (which all three cameras do) but I find the Panasonic RAW files easier to work with than the Sony files. This may just be my personal feeling.
To be continued…