digital photography

Friday Image No.049

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Sony RX10, ISO80, f/5.6, 1/200". Lee 0.6 ND Grad
Sony RX10, ISO80, f/5.6, 1/200″. Lee 0.6 ND Grad. Processing in Photoshop and Exposure 7.

This week’s Friday Image is yet another picture from my Sony RX10. I must apologise to anyone who feels this is becoming a Sony RX10. It isn’t, it’s just that I am finding myself reaching for the RX10 increasingly often, especially when a walk is involved. I don’t need to remember to take additional lenses and accessories. The battery life is excellent. In fact I just pick up the camera an ND Grad/holder and off I go.

There is an interesting story with this image though. The walk in question was up a hill named Black Hill, which you reach on the Woodhead Pass in the Peak District. It’s around 40 minutes drive from my house in order to arrive at the parking. It was only as I got to the top of the first ridge that I realised I was familiar with the area. In fact I have walked up Black Hill in the past from my home, without having to drive anywhere. You can actually reach Black Hill by walking across Saddleworth Moore which is the opposite direction to the one I had taken.

Despite this, the walk did provide a new outlook that I hadn’t seen before and allowed me to capture some wide scale landscapes.

Have a great weekend everyone.

Another EM5 Posting

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Taken with a Panasonic GX1 converted to shoot infrared. Post processing in Alien Skin Exposure 7.
Taken with a Panasonic GX1 converted to shoot infrared. Post processing in Alien Skin Exposure 7.

I’m excited. I have bought a second EM5 body given the recent drop in prices. It’s second hand but has a low shutter count. In fact I didn’t want a new EM5 as I am going to get this one converted to Infrared.

When I had the GX1 converted I used a company called ACS. They did a good job but took an age to do the conversion. This time I have spoken to a company called ProTech who a friend has used for a few conversions.

I hope to take delivery of the camera this weekend and then it’s off for the conversion. I hope to be able to report back in a few weeks time and make some comparisons regarding image quality.

Canon G16 First Thoughts

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G16 Test Shot on Helm Crag, f/4.0, 1/500"
G16 Test Shot on Helm Crag, f/4.0, 1/500″

In Friday’s blog post I mentioned that I was heading up to the Lake District for some photography. To be honest, I wasn’t particularly hopeful as the plan was to climb some of the hills there and see what took our fancy. The weather forecast in the area was for snow/rain showers at sea level so I expected snow showers on the hills – I wasn’t disappointed.

In the end the weather forecast was pretty much spot on although the snow shower on the decent felt as though it has set in for the day and was quite heavy. Despite this we managed some reasonable photography and I managed to get a feel for the new Canon G16 compact camera that I had in my pocket.

My first thoughts on the G16 are as follows:

  • Image quality is really quite good. Noise is well controlled even when shooting at ISO800. It appears on the face of it to be better than the LX7 in this respect.
  • Image sharpness is good although it tends to go a little soft in the corners and is not as sharp as the LX7. I suspect the image circle of the G16 is smaller than the LX7 which means the lens corners are softer. They are though perfectly acceptable and the centre of the image is very good.
  • I found the 28mm end of the lens frustrating and really wanted to go to 24mm. At the other end of the zoom range the extra reach in comparison to the LX7 was most welcome and I found myself using it quite a lot to isolate areas of the distant hills. I can’t say that Preferred one over the other but would like someone to make a 24-140mm lens (my RX10 is perfect but large).
  • The filter adapter that fits around the lens takes the same approach as the LX5 (a lens tube surrounding the lens) where the LX7 attaches to the front of the lens. This makes the G16 quite bulky when the adapter is attached but it is quick and easy to remove using a bayonet style attachment rather than a regular screw thread. All things considered I prefer the LX7 method for the reason in the next bullet.
  • I had been looking forward to using the optical viewfinder on the G16 rather than an EVF but in the field I found 2 big drawbacks. First the viewfinder is quite small which made it difficult to use. Secondly, the lens adapter tube got in the way because the viewfinder was centred over the lens. In fact the adapter tube made the optical viewfinder almost completely useless because you can’t see the image. When will manufacturers learn to field test equipment with real photographers?
  • The colours rendered by the G16 are very nice but they are also a little on the warm side.
  • I found the button combinations on the G16 a little tricky, less intuitive and more frustrating than the LX7. This could in part be my lack of familiarity with the G16 although I wasn’t making mistakes, just having to go through menus and multiple button presses to get it to do what I wanted. I may be able to fix this when I read the manual on how to programme the buttons.
  • It may sound daft but I found that I liked working with the Canon RAW files in post production. Some RAW files just feel more flexible and forgiving than others.
  • When I was out in the field I found there was very little latitude to expose to the right. In fact I struggled to avoid the flashing highlights in almost all my shots. Blown highlights were everywhere despite using a 2 stop ND grad. In the end I just gave up trying to control this and turned it off. Back on the computer when I have loaded in the RAW file it looks like there is plenty of headroom in the highlights which is a little frustrating.

Overall the G16 is a nice camera to use and will produce good results, but I can’t see it replacing my LX7. Will I keep both? Yes for the time being. I want to use the G16 in an urban environment as it seems to be more suited to this than Landscapes.

The other thing I am going to do is make more use of my GM1. I bought this as a high quality compact camera and whilst the image quality is superb (on a par with the EM5) the 24-64mm equivalent lens is a little restrictive. I therefore intend to buy the 70mm-200mm (small GM ultra compact) lens. I can easily carry the camera in one pocket and the lens in the other. This strangely may make a better option for a carry anywhere camera.

Resolution Broken

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Loughrigg Tarn captured on a Panasonic LX7, ISO80, F/5.0, 1/8" handheld
Loughrigg Tarn captured on a Panasonic LX7, ISO80, F/5.0, 1/8″ handheld

I’m currently preparing a presentation on Lightweight Photography for Chorley Photographic Society where I have spoken in the past. As part of this I decided to take a few shots with my Panasonic LX7 when I was out in the Lake District on my last trip. Above you can see one of the images which I have also printed at A3 to take along on the day. The print looks quite nice with lots of detail. With the addition of a little grain I would say that it doesn’t look very “digital” at all.

This exercise got me thinking that I haven’t been using my compact camera very much over the last year. This time last year I was missing the LX5 which I had replaced with a Sony RX100. I then found I didn’t enjoy using the Sony as much so sold it for the LX7. Don’t ask me why but I never seem to be carrying the LX7 and this defeats the objective of owning a compact camera.

Anyway, I found that I really enjoyed shooting with the LX7 in preparation for the presentation and before I knew it I had ordered a Canon G16. What a bargain; £290 new from Amazon and then £40 cash back from Canon. This is where breaking the resolution comes in as I said I wouldn’t buy any more equipment this year.

I can’t yet report on the Canon as although I took it on a walk with me over the weekend the terrible weather meant that I didn’t shoot anything that’s worth showing. What I did notice is that the image stabilisation doesn’t seem to be as good as the LX7 but the noise handling appears better. Time will tell but I did find I enjoyed using the G16.

Friday Image No. 45

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Loughrigg Tarn, The Lake District.
Loughrigg Tarn, The Lake District.

This week I want to share with you another image from my recent trip to the Lakes. At the time this was my favourite although this feeling is now fading. I often find this happens. What appeared to be a great/favourite image immediately after a trip is replaced by a different favourite as the memory of the trip fades.

This image is a stitch of 4 shots from the Olympus OMD EM5 with the Olympus 12-40 lens set to 12mm. Stitching was done in Photoshop using the cylindrical stitching mode. I find this often produces the least distortion when you haven’t used a panoramic set up. But it then leaves you with the problem of levelling everything up and filling in the corners of the image.

This image was no different so I used my usual technique of applying a Warp Transform followed by cropping the image to size. After that it was down to processing with Photoshop and the Nik Collection tools.

I liked the image after the shoot and I still do. My feeling now is that I might have more subtle and pleasing images if I spend some time reviewing the shoot. I will probably get around to that in June if I’m lucky.

Anyway, I hope you enjoy the image and have a great weekend.

Friday image No.039

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Rock at Aberdaron, Wales

This week’s Friday image was shot on my trip to Wales last week. It was 10:00 in the morning on Saturday and the rain was coming down hard from the dark sky. My friend checked the weather forecast and announced the weather would clear at 11:00 and that we should leave now to be ready for the storm breaking. I didn’t believe the forecast but agreed.

At 11:00 there was a break in the clouds and within 30 minutes the sun was breaking through the storm as predicted (Ed, if your reading this well done. All that new computer kit at the Met Office is paying off). As usual when a rain front breaks you get dramatic lighting and this was no exception. We raced over to the small coastal town of Aberdaron where we thought the light on the beach would be interesting; we weren’t wrong.

At the time I had the camera set to shoot in black and white as there wasn’t much colour from the contrasty lighting. To make the image more interesting a 6 stop Lee ND filter was used which gave a shutter speed of around 1 second. The image above represents pretty much my vision for the finished image (which by the way hasn’t had a lot of processing). It wasn’t until I saw the colour version that I realised there was a better option. Printing the two images at A4 the black and white looks good until you compare it side by side with the colour version. At A3 and larger the colour image is particularly impressive.

Let me know if you agree the colour version is better and have a great weekend.

Rock at Aberdaron, Wales

D800 Live View Pain

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Nikon D800, ISO100, f/14.0 for 1.6". 0.5ND graduated filter

As I mentioned on the blog last week I have been over the Wales at the weekend doing some photography in the Landscape. Whilst the weather was quite mixed it was a great opportunity to work with the D800 again and try to compare it to my Olympus EM5.

To best appreciate my position on this post you need to understand that I like to pick my point of focus when taking pictures. In fact I place great store by this capability and see it as essential to being able to achieve the best mix of depth of field and image sharpness. With the EM5 I have a grid of focus points that very nearly covers the entire frame and which I can easily select.

The D800 also has a lot of focus points but the coverage is nowhere near as good as the EM5 and I am often left in a position where I can’t select the point of focus I want using autofocus. I used to have a similar problem with the Canon 5D MKII and on that camera I resorted to using Live View. This was an easy and effective way of working. I would mount the camera on a tripod, operate live view, select my point of focus, zoom in to 100% magnification, focus manually then take the shot.

This resulted in some great shots with excellent focus and sharpness. I decided therefore that I would do the same with the D800. All worked well until the light levels started to drop, at which point the live view started to become noisy. This happened quite quickly and it wasn’t long before the noise prevented me from being able to focus. When I tried to do some long exposure work with a 6 stop filter, live view would just black; I couldn’t see anything.

Lets contrast the above experience with the Canon 5D that I previously used. I was able to place a 10 stop filter over the lens and still see sufficient to compose the image (although focussing was a struggle). Using the Olympus EM5 with a 6 stop filter is no problem and I can compose and focus through this quite easily.

Overall you might think I am being picky but this experience only serves to make the camera difficult to work with. Whilst I did persevere, I found the D800 difficult to work with and it was nice when I switched back to the EM5. Given the D800 is such a recent flagship camera for Nikon, I can’t believe they couldn’t have done more with the Live View. How you are able to work with a camera is more important that features. When you are able to work easily with the camera your results improve. Unfortunately my hit rate dropped off significantly.

Friday image No.037

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Nikon D800, 18-35 Nikkor lens, f/16.0 for 0.625" at ISO100
Penmon Lighthouse. Nikon D800, 18-35 Nikkor lens, f/16.0 for 0.625″ at ISO100

Here’s a recent one from the Nikon D800. After a few trips I finally seem to be working better with the D800 and more of my images are in focus and sharp. I’m shooting with the camera set to 14bit mode rather than the usual 12bit and the colours seem to be responding well during the RAW file conversions. I will of course have more to say in the near future on the D800 and will be comparing it to the Olympus EM5 and Sony RX10.

Now over the next couple of weeks I’m going to go a little silent on you all and won’t be posting. I need to dedicate some time to getting the new Lenscraft website up and running. I hope to have this finished by the end of October but I need to spend some dedicated time. This isn’t just a new website but an entire move of platform.

I hope you like the image, have a great weekend and I’ll be back online around the end of the month.

Comparing the Nikon D800

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Nikon D800, Nikkor 18-35 lens at f/14 for 15 seconds. Lee 10 stop ND filter.
Nikon D800, Nikkor 18-35 lens at f/14 for 15 seconds. Lee 10 stop ND filter.

I would like to start this blog post with an apology. It’s taken me far too long to publish my first thoughts about the D800 and how it compares to the Olympus EM5. But there is a reason for this in that I have wanted to get used to the D800 given that it’s a new camera. It usually takes me a number of outings to begin to understand a camera and then quite a few more to start producing work that I am pleased with.

I have now had exactly three outings with the D800 and I feel that I am starting to understand it and get “the feel of the camera”. Despite this I c

an’t keep you all waiting any longer so I will start to discuss my findings. First though I should outline the equipment that I have been using and the technique I have adopted when using the D800.

As you may be aware I purchased the D800 used as it was an absolute bargain. I also purchased two lenses to use with the camera:

  • Nikkor 24-85 f/2.8-4D IF
  • Nikkor 18-35 f3.5-4.5G ED

Neither of these lenses are the top rated in their category but they are more reasonably priced than the pro lenses. Price wise they compare with the lenses I use on my Olympus EM5 for similar focal lengths although the 12-40mm Olympus is a little more costly than the Nikkor 24-85. Of the two Nikkor lenses the 18-35 is sharper and produces better results although you do need to be peeping at those pixels in 100% magnification to notice.

In terms of using the D800, I have been shooting almost entirely with the camera mounted on a heavy Manfrotto 055CL which is one hell of a sturdy and robust tripod. I have also been using a cable release to minimise vibration. When shooting landscapes I have been using 100mm Lee ND Grad filters.

My mode of operation with the D800 on the tripod is to shoot in Live View and with the lens set to manual focus. Using this I will select the point of focus, zoom in to 100% magnification then focus the lens manually. I have found this will provide a better and more reliable result than relying on the camera’s auto focus system. A couple of observations I would make here are:

  • You need to use Live View in order to gain the flexibility of the focus point positioning. Only in live view can you position this anywhere in the frame. If you are using the optical viewfinder you will be limited by the cameras autofocus points. This is rather annoying as these points don’t extend sufficiently into the frame to obtain the best focussing.
  • When shooting in this way you need to remember to close the rear curtain on the viewfinder or you will get exposure problems as you can see from the image here. The light leak look is quite appealing but I don’t want it on every frame.
Nikon D800 showing light leak caused by not closing the rear curtain on the viewfinder
Nikon D800 showing light leak caused by not closing the rear curtain on the viewfinder

So now you know a little about how I am working with the D800, my next post on the subject will start to compare some of the factors such as image quality. I would also like to make this quite interactive so if anyone reading this has a comparison characteristic they would like to know about, just ask.

As a parting comment, I would like to point out that the EM5 is far more forgiving as a camera than the D800. I can use it hand held at ridiculously slow shutter speeds and still achieve a very sharp image. I can also work with it in very flexible and creative ways where with the D800 I am fighting with the tripod for most of the time. This has cut my shooting rate to about 1/10 of the EM5.

Friday image No.036

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RWhalley_5D_2011_IMG_1252_50_18_2.5

Isn’t it strange how your taste in photography seems to change. I shot this image just over three years ago. I recall considering this a poor trip at the time as I didn’t really come back with any “high octane” dramatic shots. What I did get was quite a lot of nice, tranquil scenes which I relegated to a folder on my hard drive and promptly forgot about.

Last week I was clearing out some images in order to start work on my new website (coming soon). That’s when I saw this image and wondered why I hadn’t bothered very much with it. Now that I look at it, I really like the scene and the colours.

I hope you like it and have a great weekend.