black and white

I Love the Canon G16

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Whitby Pier
Whitby Pier. Canon G16, ISO80, f/4.5, 1/500″. Black and white conversion in Nik Silver Efex Pro.

I have been using the G16 pocket Camera quite a lot recently and the more I use it the more I like it. I find the build good and the image quality very good. It’s easy to use and whilst it doesn’t shine in any one area it’s a great, well balanced package that’s a joy to use.

In fact, I like this camera so much I am going to sell it.

The reason is that I have been enjoying using it so much that I couldn’t resist buying a Canon G7X. The G7X is pretty much the same body except that it has an articulated screen which is something I really wanted on the G16. The other major difference is that the G7X has a 1” sensor and is 20Mpixels.

When I saw the discounted price on Amazon (reduced to £350) I couldn’t resist. I do hope it handles as well as the G16.

A Little Crazy

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Wells Cathedral, XPan with 45mm lens and Kodak TMAX400
Wells Cathedral, XPan with 45mm lens and Kodak TMAX400

I have done something a little crazy. Since talking to my friend about scanning and having done a few scans myself recently, I have had the bug to shoot some film again. In particular I want to shoot Infrared but I might even start shooting some slide film again. Whilst I have around 50 rolls of Fuji Velvia in the Freezer and a similar amount of B&W negative film, I only had 3 rolls of Infrared.

You probably won’t have noticed but Infrared film is in fairly short supply these days. I did finally find and purchase 12 rolls but in doing so I also spotted a 30mm XPan lens for sale second hand. This is a lens that I have longed for ever since I bought my XPan and it has reached almost mythical levels amongst XPan users. I don’t know what came over me but I bought it.

So that’s the proceeds of the D800 sale spent.

Friday Image No.049

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Sony RX10, ISO80, f/5.6, 1/200". Lee 0.6 ND Grad
Sony RX10, ISO80, f/5.6, 1/200″. Lee 0.6 ND Grad. Processing in Photoshop and Exposure 7.

This week’s Friday Image is yet another picture from my Sony RX10. I must apologise to anyone who feels this is becoming a Sony RX10. It isn’t, it’s just that I am finding myself reaching for the RX10 increasingly often, especially when a walk is involved. I don’t need to remember to take additional lenses and accessories. The battery life is excellent. In fact I just pick up the camera an ND Grad/holder and off I go.

There is an interesting story with this image though. The walk in question was up a hill named Black Hill, which you reach on the Woodhead Pass in the Peak District. It’s around 40 minutes drive from my house in order to arrive at the parking. It was only as I got to the top of the first ridge that I realised I was familiar with the area. In fact I have walked up Black Hill in the past from my home, without having to drive anywhere. You can actually reach Black Hill by walking across Saddleworth Moore which is the opposite direction to the one I had taken.

Despite this, the walk did provide a new outlook that I hadn’t seen before and allowed me to capture some wide scale landscapes.

Have a great weekend everyone.

Another EM5 Posting

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Taken with a Panasonic GX1 converted to shoot infrared. Post processing in Alien Skin Exposure 7.
Taken with a Panasonic GX1 converted to shoot infrared. Post processing in Alien Skin Exposure 7.

I’m excited. I have bought a second EM5 body given the recent drop in prices. It’s second hand but has a low shutter count. In fact I didn’t want a new EM5 as I am going to get this one converted to Infrared.

When I had the GX1 converted I used a company called ACS. They did a good job but took an age to do the conversion. This time I have spoken to a company called ProTech who a friend has used for a few conversions.

I hope to take delivery of the camera this weekend and then it’s off for the conversion. I hope to be able to report back in a few weeks time and make some comparisons regarding image quality.

Friday image No.039

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Rock at Aberdaron, Wales

This week’s Friday image was shot on my trip to Wales last week. It was 10:00 in the morning on Saturday and the rain was coming down hard from the dark sky. My friend checked the weather forecast and announced the weather would clear at 11:00 and that we should leave now to be ready for the storm breaking. I didn’t believe the forecast but agreed.

At 11:00 there was a break in the clouds and within 30 minutes the sun was breaking through the storm as predicted (Ed, if your reading this well done. All that new computer kit at the Met Office is paying off). As usual when a rain front breaks you get dramatic lighting and this was no exception. We raced over to the small coastal town of Aberdaron where we thought the light on the beach would be interesting; we weren’t wrong.

At the time I had the camera set to shoot in black and white as there wasn’t much colour from the contrasty lighting. To make the image more interesting a 6 stop Lee ND filter was used which gave a shutter speed of around 1 second. The image above represents pretty much my vision for the finished image (which by the way hasn’t had a lot of processing). It wasn’t until I saw the colour version that I realised there was a better option. Printing the two images at A4 the black and white looks good until you compare it side by side with the colour version. At A3 and larger the colour image is particularly impressive.

Let me know if you agree the colour version is better and have a great weekend.

Rock at Aberdaron, Wales

The Bleak Weather Returns

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Sony RX10 - ISO80, 1/80" at f/5.6. 2 stop ND Grad filter on the sky.
Sony RX10 – ISO80, 1/80″ at f/5.6. 2 stop ND Grad filter on the sky.

I was out walking yesterday in the Lakes – what a mistake. The weather was dreadful. It was windy, foggy and the rain was driving down hard. Despite this I managed to pull out the Sony RX10 and rattled off a few frames. I quite like the one above as I think it conveys well just how poor the weather was.

New Website Call

I’m also going to be taking some time out shortly to build my new Lenscraft website. I know that quite a few people who read the Lightweight Photography blog are members of Lenscraft so I would like to publicise an offer. If you are a Lenscraft member, have your own website and would like me to add a link in the “Members Sites” section, email your details to me at I just need your name and a link to your site. Obviously feel free to return the link but there is no requirement.

Another Example of False Infrared Colour

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GX1 Infrared image converted with a red blue channel swap to create a false colour
GX1 Infrared image converted with a red blue channel swap to create a false colour

In my last post I shared an example of the false infrared colour technique and explained how it was achieved. I also confessed that in general I don’t like the effect, although in some cases it does work well. I thought it would be good to share another example that I think works reasonably well (although not as well as the previous post)  although I will admit that I still prefer the traditional black and white conversion.

This example is a little more stylised than the previous image and was created by first converting the image to colour before applying a Fuji Provia Slide Film simulation in Exposure 6. This was then further edited with a boost to the Vibrancy slider and a negative Clarity to give the soft effect. My reasoning for these adjustments was to prepare the image for conversion to black and white but I found I quite liked the colour image.

When converting the images with the Channel Mixer it can seem a bit hit and miss. It appears to help if you have both sky and foliage in the image. With a Red/Blue channel swap such as shown here the sky will turn blue and the foliage will go red. Most other areas (in landscapes) tend not to be affected.

You can improve the results by picking a white balance point during RAW conversion which causes the foliage to take on a blue tint. Typically this will leave the sky with some red tint and when the channel swap is made with the channel mixer the red tint in the sky turns blue and the blue tint of the foliage turns red.

Also try to avoid images which have been shot in the shade (such as tree lined country lanes) as you won’t get such a good effect. You really need direct and strong sun to make this work well.

Hope this helps anyone who is also struggling with Infrared false colour.

Infrared conversion from my GX1 Infrared camera
Infrared conversion from my GX1 Infrared camera