black and white

The Bleak Weather Returns

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Sony RX10 - ISO80, 1/80" at f/5.6. 2 stop ND Grad filter on the sky.
Sony RX10 – ISO80, 1/80″ at f/5.6. 2 stop ND Grad filter on the sky.

I was out walking yesterday in the Lakes – what a mistake. The weather was dreadful. It was windy, foggy and the rain was driving down hard. Despite this I managed to pull out the Sony RX10 and rattled off a few frames. I quite like the one above as I think it conveys well just how poor the weather was.

New Website Call

I’m also going to be taking some time out shortly to build my new Lenscraft website. I know that quite a few people who read the Lightweight Photography blog are members of Lenscraft so I would like to publicise an offer. If you are a Lenscraft member, have your own website and would like me to add a link in the “Members Sites” section, email your details to me at robin@lenscraft.co.uk. I just need your name and a link to your site. Obviously feel free to return the link but there is no requirement.

Another Example of False Infrared Colour

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GX1 Infrared image converted with a red blue channel swap to create a false colour
GX1 Infrared image converted with a red blue channel swap to create a false colour

In my last post I shared an example of the false infrared colour technique and explained how it was achieved. I also confessed that in general I don’t like the effect, although in some cases it does work well. I thought it would be good to share another example that I think works reasonably well (although not as well as the previous post)  although I will admit that I still prefer the traditional black and white conversion.

This example is a little more stylised than the previous image and was created by first converting the image to colour before applying a Fuji Provia Slide Film simulation in Exposure 6. This was then further edited with a boost to the Vibrancy slider and a negative Clarity to give the soft effect. My reasoning for these adjustments was to prepare the image for conversion to black and white but I found I quite liked the colour image.

When converting the images with the Channel Mixer it can seem a bit hit and miss. It appears to help if you have both sky and foliage in the image. With a Red/Blue channel swap such as shown here the sky will turn blue and the foliage will go red. Most other areas (in landscapes) tend not to be affected.

You can improve the results by picking a white balance point during RAW conversion which causes the foliage to take on a blue tint. Typically this will leave the sky with some red tint and when the channel swap is made with the channel mixer the red tint in the sky turns blue and the blue tint of the foliage turns red.

Also try to avoid images which have been shot in the shade (such as tree lined country lanes) as you won’t get such a good effect. You really need direct and strong sun to make this work well.

Hope this helps anyone who is also struggling with Infrared false colour.

Infrared conversion from my GX1 Infrared camera
Infrared conversion from my GX1 Infrared camera

Another Drought

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Low water in the reservoir. Sony RX10. See text for details.
Low water in the reservoir. Sony RX10. See text for details.

I had intended to get out yesterday for a long walk (about 20 miles) as I find it helps to clear my mind. In the end the 24 hours of torrential rain and quite severe thunder storms put an end to my hopes.

Today was much better though and despite not having the time for a 20 mile hike I did manage a drive over to the Peak district and a clocked up 12 miles over the hills.

The first thing that struck me when I arrived was how low the water level was in the reservoirs. Above is one of the images I shot with the Sony RX10 and it makes me wonder if we are heading for another drought with all the nice weather we have been having.

As a side note for those of you wondering about my use of the RX10, I have tended not to use it much as I don’t find the images anywhere near as crisp and sharp as my Micro 43 cameras. Despite that the camera has a lovely feel and is a joy to use.

For this particular image I didn’t use the usual Nik sharpening tools but opted for Focal Blade. This is an excellent although quite complex sharpening filter which I have been using on and off for a number of years. I don’t know why but it appears to achieve better results than Nik Sharpener Pro with the Sony images.

The other thing I did was apply Contrast Master which is a contrast adjustment tool from the same people who produce Focal Blade (PhotoWiz). I was reasoning that the images from the Sony seem to lack contrast and pop which is easily corrected in Contrast master. Having just printed this image at A3+, the detail is excellent. It also has a very nice quality to it, very much like film.

I just thought I should try adding some grain and making another print. I’m off to experiment…

Friday image No.027

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Olympus OMD. All processing in Lightroom
Olympus OMD + 25mm prime lens. All processing in Lightroom

This week has just run away with me again. I think the problem (besides too much work and my mum still being ill) is that I love to experiment. I have just spent the last hour developing some Lightroom film-like presets. So I decided to save some time and share a recent image processed with one of the presets – no other adjustments, just a Lightroom preset.

Have a great weekend everyone.

How did it look at the start?

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An interesting conversion using Nik Silver Efex Pro 2
An interesting conversion using Nik Silver Efex Pro 2

After I posted this black and white image taken from near the summit of Great Gable in the English Lake District a number of you wanted to know what the starting image looked like. Well here is it.

 

Starting image prior to processing in Nik Silver Efex Pro 2
Starting image prior to processing in Nik Silver Efex Pro 2

Looks great eh and you can immediately see how I turned it into the finished version above (only joking). If you can’t and want to know how I achieved the conversion, take yourself over to my Lenscraft website and register as a member – don’t worry it’s free. This entire conversion will be detailed in Summer 14 newsletter which I will be publishing shortly. Members receive an email notification when the newsletters published. You can also be sure that I won’t spam you as I HATE spam email.

Now that’s a leading line

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The great wall of Wasdale
The great wall of Wasdale

 

I just wanted to share this one.

Friday image No.022

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OLYMPUS DIGITAL CAMERA

This week’s image is one I took recently in the Lake District (my favourite place in the world). I was near to the summit of Great Gable when I shot this. I had just descended Green Gable and was climbing back up and noticed this great path leading up the hills to my right. I couldn’t swear to it but I think it’s a route up Great End. I should probably look it up on a map.

I’m going to take a short break over the next week as I have a lot to catch up at home but I’m planning lots of new material including more from the new GM1 and also some work with my new Olympus 17mm f/1.8 (a wonderful lens)

Have a great weekend everyone.

Friday image No.021

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Offshore Wind Farm
Offshore Wind Farm

Firstly I am going to start with an apology. Last week there was no Friday Image and some readers may have found me slower to respond. This is because my mother is in hospital (and has been for a few weeks). I have been trying to work around this but it is having an impact on my productivity. Being self employed I need to put my business next after my family. I hope you will understand and bear with me whilst I work through this.

Now to the image which was shot with the Olympus EM5 and the Panasonic 45-150 lens. This wind farm is quite far out to sea and I had to use the 45-150 at its farthest reach. I also used quite a wide aperture to keep the shutter speed up (I was hand holding) and add the feeling of depth to the image. I am very impressed with the lens performance given the extreme focal length and the conversion which was done using Nik Silver Efex is exactly what I had visualised at the time I took the shot. It’s great when something works out for you.

Have a great weekend everyone.

A Note of Thanks

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Canary Wharf in London's Docklands. Panasonic Lumix GM1 with 12-32mm lens. Post processing in Nik SIlver Efex Pro and Nik Analog Efex.
Canary Wharf in London’s Docklands. Panasonic Lumix GM1 with 12-32mm lens. Post processing in Nik SIlver Efex Pro and Nik Analog Efex.

I would like to publish a note of thanks to the security officers at Canary Wharf in London. Yesterday I visited London with a couple of friends as tourists to take pictures. One of our locations was Docklands with the intention of photographing some of the icon architecture including Canary Wharf.

Waiting for our friend outside the Tube Station we were taking some pictures of the buildings when we were approached by a security officer to ask if we had permission. What was nice about this is that the officer took the trouble to look at the pictures we were shooting and then contacted security to allow us to continue. It’s great when officials recognise that not everyone with a camera is a terrorist or pervert and treat people with respect.

Thank you.

Walking through History

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The dam at Ladybower. Captured on a Panasonic GX1 converted to shoot infrared then processed in Nik Silver Efex Pro and Nik Analog Efex.
The dam at Ladybower. Captured on a Panasonic GX1 converted to shoot infrared then processed in Nik Silver Efex Pro and Nik Analog Efex.

With it being a Bank Holiday in the UK today and for once the weather not being terrible, I went for a walk. I like quite near to the Peak District National Park but for some reason I seldom visit. Today I decided I wanted a good walk in the hills so drove over to Ladybower reservoir which is about 50 minutes from my house.

When I first became interested in photography I remember seeing some old images of the dam at Ladybower and I thought these images were wonderful. The Victorians certainly knew how to engineer wonderful structures but the age of the images also made these more appealing.

I recall visiting the area about 10 years ago in the hope of being able to recreate these wonderful images but it wasn’t to be. Today I was able to create something that I quite liked using my Infrared camera. But it wasn’t until I took the image into Nik Analog Efex and applied a little emotion that the image came to life. Trying to create an image such as the one above was almost impossible for me 10 years ago but today it took minutes.

I wonder what photography will be like in another 10 years.