I would like to publish a note of thanks to the security officers at Canary Wharf in London. Yesterday I visited London with a couple of friends as tourists to take pictures. One of our locations was Docklands with the intention of photographing some of the icon architecture including Canary Wharf.
Waiting for our friend outside the Tube Station we were taking some pictures of the buildings when we were approached by a security officer to ask if we had permission. What was nice about this is that the officer took the trouble to look at the pictures we were shooting and then contacted security to allow us to continue. It’s great when officials recognise that not everyone with a camera is a terrorist or pervert and treat people with respect.
It wasn’t that long ago that if you wanted to do architectural photography that you needed to be looking at cameras or lenses that would provide tilt and shift facilities. How the world has changed. Yes, correcting convergence and shift problems is better within the camera but it’s also very costly, especially when compared to the capabilities of Photoshop.
It’s now possible to shoot with your average camera and lens before correcting the problems in post production. It also becomes very easy to apply different levels of adjustment and experiment more. If you don’t get it right first time, just open up the image and apply some more adjustment using Photoshop’s Transform feature.
The image above was shot on the Olympus OMD using a 14-45mm Panasonic lens at 14mm focal length. The adjustments were applied using the Transform – Distort adjustment in Photoshop CS5. No visible softening of the image took place, even when viewed at 100% magnification on screen. The subsequent “artistic look” to add a vignette and soften the area outside the doorway was added using OnOne Perfect Photo Suite 7. The conversion to Black and White was made using Nik Silver Efex Pro. Most importantly, the amazing doorway is Nantes Cathedral in France.