Nothing too much to describe here.
This is Twistleton Scar in the Yorkshire Dales and was photographed last weekend. I love the location and it’s not often I can get to it for dawn. I really need some time to perfect the processing of the image but I hope you like this early version.
It was a rather unusual weekend. I was due to be out with a couple of friends in the Yorkshire Dales shooting the landscape which is famed for its wonderful Lime Stone. Unfortunately the weather definitely had other plans for us.
We met up the night before and spent the evening looking at the weather forecast and planning the best locations for the following day. The forecast was to be clear up to around 10:00am but then a severe storm with high winds was due to hit. This really isn’t the sort of weather we wanted to be out in on an exposed hillside.
As it turned out the weather forecast was good to its promise and as the winds got up we retreated down the hill to a local cafe. Assessing the position we moved to the coast (Blackpool) where we decided to photograph the storm surge making land (more on that in another post).
Sunday was little better and offered very little potential for traditional landscape work. We tried some waterfalls but there was just too much water flowing, so decided to change our subject matter entirely. Staring back towards home early we called in at the town of Halifax and Dean Clough Mills, on old and impressive mill complex that is now a business park. This it turned out was another good decision and allowed us to capture some pleasing images although definitely not what we had anticipated on the Friday evening.
Above you see my most successful Lime Stone image (look at the top of the image) from the weekend.
It’s a day early (because I have a hectic schedule tomorrow and over the weekend) but here is this week’s weekend image and it’s an odd one. The reason I say this is because I like the image when I first look at it and it even prints very nicely. It’s then when I start to look more closely that I grow to dislike it. I can’t quite put my finger on why but I think it’s connected with the contradiction of the scene.
The reflection, composition and nice light give this a very tranquil feel which I like. The location though is outside an old boat yard on an estuary that is quite cluttered and not quite as perfect as perhaps the image suggests. When I look closely into the image I think I start to recognise the imperfections present in image. It’s this contradiction that makes me change my mind – I think.
As you probably don’t recognise the area, I hope you enjoy the image and that my indecision doesn’t influence you.
Yesterday was time for a walk in that it wasn’t raining hard; at least not when I headed out. As is usually the case I picked up a camera to take with me but this time it was a hard decision. Was it worth actually bothering?
You see the walk I was intending to do was around 10 miles and didn’t involve any mountains or spectacular scenery. In fact it was really a walk to keep up fitness levels. The area is quite nice if you like the stark, bleak moorland of the North of England but at the moment it looks pretty horrible with all the rain.
I walk in this particular area quite regularly and over the years have tried to take landscape images. It is, without doubt one of the most challenging locations I have come across. I have tried it in all weather conditions (snow isn’t bad), at all times of year and all times of day and night but I seldom come away with any photographs that I like.
This time I picked up the RX10 and after some decision making I decided to take it. In the end I stopped a total of 4 times to take a handful of pictures, but each time I captured something I quite like. I have never managed anything so productive in the past so why the sudden turnaround in my fortunes?
It’s certainly not down to equipment, although I really like using the RX10. No, I think it’s more to do with how I approached the photography or rather walk. I was out to do a walk rather than looking for images and because f this I had no expectations about what I would see or what type of image I was looking to create. I simply walked and if something caught my eye, I stopped and asked myself what it was. When I was clear in my own mind what was attracting me I took the photograph. You can see two of the processed images in this blog.
I think I need to take this approach more often rather than visit somewhere and become disappointed by what I find.
In all my dashing around today I almost forgot to post my Friday image. I quite like the discipline of trying to create and post an image a week. I know others seem to manage one or more a day but I have too much else on to be able to make such a commitment. I think creating 1 image a week that I am happy to share is a good goal.
I shot this one almost 2 years ago on a trip to Norway. This was shot from the Hertigruten boat (I think it was the Troll Fjord). These provide a ferry service around the coast although it’s quite a bit more luxurious that this suggests. I think this was somewhere before we reached the Lofoten Islands. I came across the image whilst starting to clear out some of my many images and took a few minutes (about an hour really) to process it.
It was captured on a Panasonic GF1 with a Panasonic 45-200mm lens.
Have a great weekend.
For some reason, quite often when I tell people that I am reading a book on photography they appear surprised. I don’t know why but it’s just the general impression I get. I start by saying this as I am about to discuss a book I have purchased.
Anyway, I was recently browsing the photography section of Waterston’s (for readers not in the UK, this is about the only remaining high street bookstore chain left). There seemed to be a plethora of new titles released for no doubt Christmas. Most of them were very similar and featured what I would describe as over processed images with impact but no lasting appeal. I then happened across a book titled “The Practice of Contemplative Photography” by Michael Wood and Andy Karr (link for amazon.co.uk and amazon.com).
From the cover I wasn’t expecting much but then you shouldn’t judge a book by its cover as the saying goes. Inside what struck me were the images. They were incredibly simple and the processing so subtle. A lot were by the authors but there were also some great images by people you are unlikely to have heard of. The authors had clearly spent a lot of time collating the images for the book.
Did I buy the book? Well, not from Waterston’s as they wanted £24.99 for a copy that was looking a little too worn. In the end I bought it from The Book Depository using Amazon Market Place (which was much better value) and it arrived this morning.
Now I have to say at this point that I haven’t read the text so as an instruction book I have no idea how good it may or may not be. What I know is that looking at the images it will make me contemplate my own work more.
One of the great things I love about my blogging platform is that it allows me to see how people have found my site. Recently I have seen a lot of traffic coming from forums where people have considered switching from a DSLR to Micro 43. Typically someone with a good DSLR such as a Nikon D800 or Canon 7D will poses the question to gather the thinking of others and make a decision.
Often the reason they give for considering such a switch is not because the images are higher quality but because the Micro 43 cameras are more practical. Try carrying a full sized DSLR and 3 lenses up a mountain (with all your other gear) and you will soon understand the problem. Micro 43 is also more flexible than a bulky DSLR and people are now waking up to this fact.
The typical response I have seen to this question are dozens of replies from people suggesting they will regret it and will miss the quality of the DSLR. Clearly a lot of these answers will be based on what people have read in the photography magazines and not on personal experience from using the equipment.
So far I have resisted pitching in to these discussions as my voice and opinion will probably be lost in the noise. I thought therefore that I would post some reasons why you may not need that big DSLR (having made the switch myself) in case it provides help for someone grappling with this problem.
- If you are happy with your DSLR at the moment then don’t bother switching. You should only really consider this if you are at the point where you need to replace the DSLR or you have sufficient money to invest in dual systems. You are unlikely to achieve a noticeable improvement in performance unless your current lenses are poor quality (micro 43 lenses are typically better for their cost) or your camera is poor in which case you are back to needing to replace it.
- Do you really have the need for something smaller than a DSLR? I am a huge fan of Micro 43 and high quality compact cameras as they give me freedom to shoot in ways that DSLR owners would find difficult. But not everyone finds themselves in this position. Be sure you understand and need the benefits a smaller camera format would offer before you make the switch.
- What do you do with your images? If all you are doing is putting them on the internet to share with others then your typical dimensions are going to be around 1000-1500 pixels on the longest side. Even my camera phone does more than that. If this describes you, you are wasting all that extra resolution and lens quality. Why spend £1000 on a lens that is super sharp and largely free from defects only to reduce the image resolution to a point where the benefits can’t be seen.
- The last point also leads on to printing. Do you print your images and at what size? If the largest print you make is an A3+ then a quality compact camera is going to be able to do that just as well as a DSLR. It doesn’t matter that you may need to enlarge the image to make the print, you won’t be able to tell. Printers can’t resolve anywhere near as much detail as you can see when you view your image at 100% on a monitor. And if your thinking that you need the image to look sharp and detailed when viewed at 100% on screen, your back to the argument that says you will be reducing the image resolution in order to view it. We don’t view images zoomed in. We view them at a resolution where we can see the entire image on screen at once.
The recurring argument that people seem to trot out on these forums is that you will notice the reduction in quality when switching from a DSLR to a Micro 43. My response to this is you might. If you are viewing your images at 100%, full resolution on the screen and you have a D800 or similar then yes you will notice there is a larger print with more detail than my Olympus EM5. If however your reducing your resolution down to 1500 pixels to share your images on the internet, no you won’t.
Equally, if you are printing your images then you will need to be printing at larger than A2 from an image made on a top of the range DSLR, using a great printer (with good technique) in order to distinguish any difference to my Olympus EM5. Oh yes, you would also need to have good, young eyes with the print viewed close up.
If you want stunning results, it’s not the equipment that will make the difference it’s knowledge and skills. That’s where you should invest your money and not buying into all the marketing hype spawned by camera companies and perpetuated by the magazines that need advertising revenue (you can’t blame them) to survive.
End of rant. I have probably blown any chance of sponsorship from a major camera manufacturer.